London (England) -- Social life and customs -- 19th century -- Fiction
front of the little sweet-shop on the other side of the street, an
establishment where periodical literature, as well as tough toffy and
hard lollipops, was dispensed, and where song-books and pictorial
sheets were attractively exhibited in the small-paned, dirty window. He
used to stand there for half an hour at a time, spelling out the first
page of the romances in the _Family Herald_ and the _London Journal_,
and admiring the obligatory illustration in which the noble characters
(they were always of the highest birth) were presented to the carnal
eye. When he had a penny he spent only a fraction of it on stale
sugar-candy; with the remaining halfpenny he always bought a ballad,
with a vivid woodcut at the top. Now, however, he was not at his post
of contemplation; nor was he visible anywhere to Miss Pynsent’s
impatient glance.
“Millicent Henning, tell me quickly, have you seen my child?” These
words were addressed by Miss Pynsent to a little girl who sat on the
doorstep of the adjacent house, nursing a dingy doll, and who had an
extraordinary luxuriance of dark brown hair, surmounted by a torn straw
hat. Miss Pynsent pronounced her name Enning.
The child looked up from her dandling and patting, and after a stare of
which the blankness was somewhat exaggerated, replied: “Law no, Miss
Pynsent, I never see him.”
“Aren’t you always messing about with him, you naughty little girl?”
the dressmaker returned, with sharpness. “Isn’t he round the corner,
playing marbles, or—or some jumping game?” Miss Pynsent went on, trying
to be suggestive.
“I assure _you_, he never plays nothing,” said Millicent Henning, with
a mature manner which she bore out by adding, “And I don’t know why I
should be called naughty, neither.”
Public-domain text, read in full here on John Shaqi.
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