London (England) -- Social life and customs -- 19th century -- Fiction
“Well, I am sure it’s natural he should feel badly,” said Miss Pynsent,
folding up her work with the same desperate quickness that had animated
her throughout the evening.
“I haven’t the least objection to his feeling badly; that’s not the
worst thing in the world! If a few more people felt badly, in this
sodden, stolid, stupid race of ours, the world would wake up to an idea
or two, and we should see the beginning of the dance. It’s the dull
acceptance, the absence of reflection, the impenetrable density.” Here
Mr Vetch stopped short; his hostess stood before him with eyes of
entreaty, with clasped hands.
“Now, Anastasius Vetch, don’t go off into them dreadful wild theories!”
she cried, always ungrammatical when she was strongly moved. “You
always fly away over the house-tops. I thought you liked him better—the
dear little unfortunate.”
Anastasius Vetch had pocketed his pipe; he put on his hat with the
freedom of old acquaintance and of Lomax Place, and took up his small
coffin-like fiddle-case. “My good Pinnie, I don’t think you understand
a word I say. It’s no use talking—do as you like!”
“Well, I must say I don’t think it was worth your coming in at midnight
only to tell me that. I don’t like anything—I hate the whole dreadful
business!”
He bent over, in his short plumpness, to kiss her hand, as he had seen
people do on the stage. “My dear friend, we have different ideas, and I
never shall succeed in driving mine into your head. It’s because I _am_
fond of him, poor little devil; but you will never understand that. I
want him to know everything, and especially the worst—the worst, as I
have said. If I were in his position, I shouldn’t thank you for trying
to make a fool of me!”
“A fool of you? as if I thought of anything but his ’appiness!” Amanda
Pynsent exclaimed. She stood looking at him, but following her own
reflections; she had given up the attempt to enter into his whims. She
remembered, what she had noticed before, in other occurrences, that his
reasons were always more extraordinary than his behaviour itself; if
you only considered his life you wouldn’t have thought him so fanciful.
“Very likely I think too much of that,” she added. “She wants him and
cries for him: that’s what keeps coming back to me.” She took up her
lamp to light Mr Vetch to the door (for the dim luminary in the passage
had long since been extinguished), and before he left the house he
turned, suddenly, stopping short, and said, his composed face taking a
strange expression from the quizzical glimmer of his little round eyes—
“What does it matter after all, and why do you worry? What difference
can it make what happens—on either side—to such low people?”
III
Public-domain text, read in full here on John Shaqi.
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