London (England) -- Social life and customs -- 19th century -- Fiction
Hyacinth had slipped his hands into the pockets of his scanty
knickerbockers, and, with his legs slightly apart, he looked from his
companion back to the immense dreary jail. A great deal, to Miss
Pynsent’s sense, depended on that moment. “Oh, well,” he said, at last,
“I’ll just step in.”
“Deary, deary!” the dressmaker murmured to herself, as they crossed the
bare semicircle which separated the gateway from the unfrequented
street. She exerted herself to pull the bell, which seemed to her
terribly big and stiff, and while she waited, again, for the
consequences of this effort, the boy broke out, abruptly—
“How can she like me so much if she doesn’t know me?”
Miss Pynsent wished the gate would open before an answer to this
question should become imperative, but the people within were a long
time arriving, and their delay gave Hyacinth an opportunity to repeat
it. So the dressmaker rejoined, seizing the first pretext that came
into her head, “It’s because the little baby she had, of old, was also
named Hyacinth.”
“That’s a queer reason,” the boy murmured, staring across again at the
Battersea shore.
A moment afterwards they found themselves in a vast interior dimness,
with a grinding of keys and bolts going on behind them. Hereupon Miss
Pynsent gave herself up to an overruling providence, and she
remembered, later, no circumstance of what happened to her until the
great person of Mrs Bowerbank loomed before her in the narrowness of a
strange, dark corridor. She only had a confused impression of being
surrounded with high black walls, whose inner face was more dreadful
than the other, the one that overlooked the river; of passing through
gray, stony courts, in some of which dreadful figures, scarcely female,
in hideous brown, misfitting uniforms and perfect frights of hoods,
were marching round in a circle; of squeezing up steep, unlighted
staircases at the heels of a woman who had taken possession of her at
the first stage, and who made incomprehensible remarks to other women,
of lumpish aspect, as she saw them erect themselves, suddenly and
spectrally, with dowdy untied bonnets, in uncanny corners and recesses
of the draughty labyrinth. If the place had seemed cruel to the poor
little dressmaker outside, it may be believed that it did not strike
her as an abode of mercy while she pursued her tortuous way into the
circular shafts of cells, where she had an opportunity of looking at
captives through grated peepholes and of edging past others who had
temporarily been turned into the corridors—silent women, with fixed
eyes, who flattened themselves against the stone walls at the brush of
the visitor’s dress and whom Miss Pynsent was afraid to glance at. She
never had felt so immured, so made sure of; there were walls within
walls and galleries on top of galleries; even the daylight lost its
colour, and you couldn’t imagine what o’clock it was. Mrs Bowerbank
appeared to have failed her, and that made her feel worse; a panic
Public-domain text, read in full here on John Shaqi.
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