London (England) -- Social life and customs -- 19th century -- Fiction
away; whereupon, as the boy still hung back, the little dressmaker
advanced alone, looking at the sick woman with what courage she could
muster. It seemed to her that she was approaching a perfect stranger,
so completely had nine years of prison transformed Florentine. She
felt, immediately, that it was a mercy she hadn’t told Hyacinth she was
pretty (as she used to be), for there was no beauty left in the hollow,
bloodless mask that presented itself without a movement. She _had_ told
him that the poor woman was good, but she didn’t look so, nor,
evidently, was he struck with it as he stared back at her across the
interval he declined to traverse, kept (at the same time) from
retreating by her strange, fixed eyes, the only portion of all her
wasted person in which there was still any appearance of life. She
looked unnatural to Amanda Pynsent, and terribly old; a speechless,
motionless creature, dazed and stupid, whereas Florentine Vivier, in
the obliterated past, had been her idea of personal, as distinguished
from social, brilliancy. Above all she seemed disfigured and ugly,
cruelly misrepresented by her coarse cap and short, rough hair. Amanda,
as she stood beside her, thought with a sort of scared elation that
Hyacinth would never guess that a person in whom there was so little
trace of smartness—or of cleverness of any kind—was his mother. At the
very most it might occur to him, as Mrs Bowerbank had suggested, that
she was his grandmother. Mrs Bowerbank seated herself on the further
bed, with folded hands, like a monumental timekeeper, and remarked, in
the manner of one speaking from a sense of duty, that the poor thing
wouldn’t get much good of the child unless he showed more confidence.
This observation was evidently lost upon the boy; he was too intensely
absorbed in watching the prisoner. A chair had been placed at the head
of her bed, and Miss Pynsent sat down without her appearing to notice
it. In a moment, however, she lifted her hand a little, pushing it out
from under the coverlet, and the dressmaker laid her own hand softly
upon it. This gesture elicited no response, but after a little, still
gazing at the boy, Florentine murmured, in words no one present was in
a position to understand—
“_Dieu de Dieu, qu’il est beau!_”
“She won’t speak nothing but French since she has been so bad—you can’t
get a natural word out of her,” Mrs Bowerbank said.
“It used to be so pretty when she spoke English—and so very amusing,”
Miss Pynsent ventured to announce, with a feeble attempt to brighten up
the scene. “I suppose she has forgotten it all.”
Public-domain text, read in full here on John Shaqi.
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