London (England) -- Social life and customs -- 19th century -- Fiction
‘That will mean, no doubt, that I’m deeply demoralised. It won’t be for
you, however, in this case, to cast the stone at me; for my
demoralisation began from the moment I first approached you. Dear
Princess, I may have done you good, but you haven’t done me much. I
trust you will understand what I mean by that speech, and not think it
flippant or impertinent. I may have helped you to understand and enter
into the misery of the people (though I protest I don’t know much about
it), but you have led my imagination into quite another train. However,
I don’t mean to pretend that it’s all your fault if I have lost sight
of the sacred cause almost altogether in my recent adventures. It is
not that it has not been there to see, for that perhaps is the clearest
result of extending one’s horizon—the sense, increasing as we go, that
want and toil and suffering are the constant lot of the immense
majority of the human race. I have found them everywhere, but I haven’t
minded them. Excuse the cynical confession. What has struck me is the
great achievements of which man has been capable in spite of them—the
splendid accumulations of the happier few, to which, doubtless, the
miserable many have also in their degree contributed. The face of
Europe appears to be covered with them, and they have had much the
greater part of my attention. They seem to me inestimably precious and
beautiful, and I have become conscious, more than ever before, of how
little I understand what, in the great rectification, you and Poupin
propose to do with them. Dear Princess, there are things which I shall
be sorry to see you touch, even you with your hands divine; and—shall I
tell you _le fond de ma pensée_, as you used to say?—I feel myself
capable of fighting for them. You can’t call me a traitor, for you know
the obligation that I recognise. The monuments and treasures of art,
the great palaces and properties, the conquests of learning and taste,
the general fabric of civilisation as we know it, based, if you will,
upon all the despotisms, the cruelties, the exclusions, the monopolies
and the rapacities of the past, but thanks to which, all the same, the
world is less impracticable and life more tolerable—our friend
Hoffendahl seems to me to hold them too cheap and to wish to substitute
for them something in which I can’t somehow believe as I do in things
with which the aspirations and the tears of generations have been
mixed. You know how extraordinary I think our Hoffendahl (to speak only
of him); but if there is one thing that is more clear about him than
another it is that he wouldn’t have the least feeling for this
incomparable, abominable old Venice. He would cut up the ceilings of
the Veronese into strips, so that every one might have a little piece.
I don’t want every one to have a little piece of anything, and I have a
great horror of that kind of invidious jealousy which is at the bottom
of the idea of a redistribution. You will say that I talk of it at my
Public-domain text, read in full here on John Shaqi.
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