London (England) -- Social life and customs -- 19th century -- Fiction
process might be, was after all much less fundamental than to write it.
It had occurred to Hyacinth more than once that it would be a fine
thing to produce a brilliant death-song.
It is not surprising that among such reveries as this he should have
been conscious of a narrow range in the tone of his old workfellows.
They had only one idea: that he had come into a thousand pounds and had
gone to spend them in France with a regular high one. He was aware, in
advance, of the diffusion of this legend, and did his best to allow for
it, taking the simplest course, which was not to contradict it but to
catch the ball as it came and toss it still further, enlarging and
embroidering humorously until Grugan and Roker and Hotchkin and all the
rest, who struck him as not having washed since he left them, seemed
really to begin to understand how it was he could have spent such a
rare sum in so short a time. The impressiveness of this achievement
helped him greatly to slip into his place; he could see that, though
the treatment it received was superficially irreverent, the sense that
he was very sharp and that the springs of his sharpness were somehow
secret gained a good deal of strength from it. Hyacinth was not
incapable of being rather pleased that it _should_ be supposed, even by
Grugan, Roker and Hotchkin, that he could get rid of a thousand pounds
in less than five months, especially as to his own conscience the fact
had altogether yet to be proved. He got off, on the whole, easily
enough to feel a little ashamed, and he reflected that the men at
Crookenden’s, at any rate, showed no symptoms of the social jealousy
lying at the bottom of the desire for a fresh deal. This was doubtless
an accident, and not inherent in the fact that they were highly skilled
workmen (old Crookenden had no others), and therefore sure of constant
employment; for it was impossible to be more skilled, in one’s own
line, than Paul Muniment was, and yet he (though not out of jealousy,
of course) went in for the great restitution. What struck him most,
after he had got used again to the sense of his apron and bent his back
a while over his battered table, was the simple, synthetic patience of
the others, who had bent _their_ backs and felt the rub of that dirty
drapery all the while he was lounging in the halls of Medley, dawdling
through boulevards and museums, and admiring the purity of the Venetian
girl-face. With Poupin, to be sure, his relations were special; but the
explanations that he owed the sensitive Frenchman were not such as
could make him very unhappy, once he had determined to resist as much
as possible the friction of his remaining days. There was moreover more
sorrow than anger in Poupin’s face when he learned that his young
friend and pupil had failed to cultivate, in Paris, the rich
opportunities he had offered him. “You are cooling off, my child; there
is something about you! Have you the weakness to flatter yourself that
Public-domain text, read in full here on John Shaqi.
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