London (England) -- Social life and customs -- 19th century -- Fiction
“Oh, I don’t bother about what’s wanting to her; I’m content with what
she has.”
“Content, dearest—how do you mean?” the little dressmaker quavered.
“Content to make an intimate friend of her?”
“It is impossible I should discuss these matters with you,” Hyacinth
replied, grandly.
“Of course I see that. But I should think she would bore you
sometimes,” Miss Pynsent murmured, cunningly.
“She does, I assure you, to extinction!”
“Then why do you spend every evening with her?”
“Where should you like me to spend my evenings? At some beastly
public-house—or at the Italian opera?” His association with Miss
Henning was not so close as that, but nevertheless he wouldn’t take the
trouble to prove to poor Pinnie that he enjoyed her society only two or
three times a week; that on other evenings he simply strolled about the
streets (this boyish habit clung to him), and that he had even
occasionally the resource of going to the Poupins’, or of gossiping and
smoking a pipe at some open house-door, when the night was not cold,
with a fellow-mechanic. Later in the winter, after he had made Paul
Muniment’s acquaintance, the aspect of his life changed considerably,
though Millicent continued to be exceedingly mixed up with it. He hated
the taste of liquor and still more the taste of the places where it was
sold; besides which the types of misery and vice that one was liable to
see collected in them frightened and harrowed him, made him ask himself
questions that pierced the deeper because they were met by no answer.
It was both a blessing and a drawback to him that the delicate,
charming character of the work he did at Mr Crookenden’s, under
Eustache Poupin’s influence, was a kind of education of the taste,
trained him in the finest discriminations, in the perception of beauty
and the hatred of ugliness. This made the brutal, garish, stodgy
decoration of public-houses, with their deluge of gaslight, their
glittering brass and pewter, their lumpish woodwork and false colours,
detestable to him; he was still very young when the ‘gin-palace’ ceased
to convey to him an idea of the palatial.
Public-domain text, read in full here on John Shaqi.
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