London (England) -- Social life and customs -- 19th century -- Fiction
For this unfortunate but remarkably organised youth, every displeasure
or gratification of the visual sense coloured his whole mind, and
though he lived in Pentonville and worked in Soho, though he was poor
and obscure and cramped and full of unattainable desires, it may be
said of him that what was most important in life for him was simply his
impressions. They came from everything he touched, they kept him
thrilling and throbbing during a considerable part of his waking
consciousness, and they constituted, as yet, the principal events and
stages of his career. Fortunately, they were sometimes very delightful.
Everything in the field of observation suggested this or that;
everything struck him, penetrated, stirred; he had, in a word, more
impressions than he knew what to do with—felt sometimes as if they
would consume or asphyxiate him. He liked to talk about them, but it
was only a few, here and there, that he could discuss with Millicent
Henning. He let Miss Pynsent imagine that his hours of leisure were
almost exclusively dedicated to this young lady, because, as he said to
himself, if he were to account to her for every evening in the week it
would make no difference—she would stick to her suspicion; and he
referred this perversity to the general weight of misconception under
which (at this crude period of his growth) he held it was his lot to
languish. It didn’t matter to one whether one were a little more or a
little less misunderstood. He might have remembered that it mattered to
Pinnie, who, after her first relief at hearing him express himself so
properly on the subject of a matrimonial connection with Miss Henning,
allowed her faded, kind, weak face, little by little, to lengthen out
to its old solemnity. This came as the days went on, for it wasn’t much
comfort that he didn’t want to marry the young woman in Pimlico, when
he allowed himself to be held as tight as if he did. For the present,
indeed, she simply said, “Oh, well, if you see her as she is, I don’t
care what you do”—a sentiment implying a certain moral recklessness on
the part of the good little dressmaker. She was irreproachable herself,
but she had lived for more than fifty years in a world of wickedness;
like an immense number of London women of her class and kind, she had
acquired a certain innocent cynicism, and she judged it quite a minor
evil that Millicent should be left lamenting, if only Hyacinth might
get out of the scrape. Between a forsaken maiden and a premature,
lowering marriage for her beloved little boy, she very well knew which
she preferred. It should be added that her impression of Millicent’s
power to take care of herself was such as to make it absurd to pity her
in advance. Pinnie thought Hyacinth the cleverest young man in the
world, but her state of mind implied somehow that the young lady in
Pimlico was cleverer. Her ability, at any rate, was of a kind that
precluded the idea of suffering, whereas Hyacinth’s was rather
associated with it.
Public-domain text, read in full here on John Shaqi.
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