The Princess Casamassima (Volume 1 of 2)James, Henry
General
The Princess Casamassima (Volume 1 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
as to make it absurd to pity her in advance. Pinnie thought Hyacinth
the cleverest young man in the, or at least in their, world, but her
state of mind implied that the young lady in Pimlico was cleverer. Her
ability, at any rate, was of a kind that precluded the knowledge of
suffering, whereas Hyacinth’s was somehow fairly founded on it.
By the time he had enjoyed for three months the acquaintance of
the brother and sister in Audley Court the whole complexion of his
life seemed changed; it was pervaded by an element of romance which
overshadowed, though by no means eclipsing, the brilliant figure of
Miss Henning. It was pitched in a higher key altogether and appeared
to command a view of horizons equally fresh and vast. Millicent
therefore shared her dominion without knowing exactly what it was that
drew her old playfellow off and without indeed demanding of him an
account she was not on her own side prepared to give. Hyacinth was,
in the language of the circle in which she moved, her personal fancy,
and she was content to fill as regards himself the same eminent and
somewhat irresponsible position. She had the assurance that she was a
beneficent friend: fond of him and careful of him as an elder sister
might be; warning him as no one else could do against the dangers of
the town; putting that stiff common sense, of which she was convinced
that she possessed an extraordinary supply, at the service of his
incurable verdancy; looking after him generally as no one, poor child,
had ever done. Millicent made light of the dingy dressmaker in this
view of her friend’s meagre little past (she thought Pinnie no better
than a starved cat) and enjoyed herself immensely in the character of
guide and philosopher. She felt that character never so high as when
she pushed the young man with a robust elbow or said to him, “Well,
you _are_ a sharp ’un, you are!” Her theory of herself, as we know,
was that she was the “best sort” in the world, as well as one of the
greatest beauties and quickest wits, and there could be no better proof
of her kindness of heart than her disinterested affection for a snippet
of a bookbinder. Her sociability was certainly immense, and so were
her vanity, her grossness, her presumption, her appetite for beer, for
buns, for entertainment of every kind. She represented for Hyacinth
during this period the eternal feminine, and his taste, considering
he was fastidious, will be wondered at; the judgement will be that she
didn’t represent it very favourably.
Public-domain text, read in full here on John Shaqi.
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