The Princess Casamassima (Volume 1 of 2)James, Henry
General
The Princess Casamassima (Volume 1 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
For this unfortunate but remarkably-organised youth every displeasure
or gratification of the visual sense coloured his whole mind, and
though he lived in Pentonville and worked in Soho, though he was poor
and obscure and cramped and full of unattainable desires, nothing in
life had such an interest or such a price for him as his impressions
and reflexions. They came from everything he touched, they made him
vibrate, kept him thrilled and throbbing, for most of his waking
consciousness, and they constituted as yet the principal events
and stages of his career. Fortunately they were often an immense
amusement. Everything in the field of observation suggested this or
that; everything struck him, penetrated, stirred; he had in a word
more news of life, as he might have called it, than he knew what to
do with—felt sometimes as he could have imagined an overwhelmed man of
business to whom the post brought too many letters. The man of business
indeed could keep a secretary, but what secretary could have cleared
up for Hyacinth some of the strange communications of life? He liked
to talk about these things, but it was only a few here and there he
could discuss with Milly. He allowed Miss Pynsent to imagine that his
hours of leisure were almost exclusively dedicated to this young lady,
because, as he said to himself, if he were to account to her for every
evening in the week it would make no difference—she would stick to her
suspicion; and he referred this perversity to the general weight of
misconception under which he at this crude period of his growth held
it was his lot to languish. It didn’t matter if one was a little more
or a little less misunderstood. He might indeed have remembered it
mattered to Pinnie, who, after her first relief at hearing him express
himself so properly on the subject of a matrimonial connexion with
Miss Henning, allowed her faded, kind, weak face little by little to
lengthen out to its old solemnity. This came back as the days went
on, for it wasn’t much comfort that he didn’t want to marry the young
woman in Pimlico when he allowed himself to be held as tight as if he
did. For the present, however, she simply said, “Oh well, if you see
her as she is I don’t care what you do”—a sentiment implying a certain
moral recklessness on the part of the good little dressmaker. She was
irreproachable herself, but she had lived more than fifty years in a
world of wickedness; like so many London women of her class and kind
she had little sentimental softness for her own sex, whose general
“paying” seemed the simplest and most natural arrangement; and she
judged it quite a minor evil that Millicent should be left lamenting
if only Hyacinth might get out of the scrape. Between a young person
who had taken a gross risk and a premature, lowering marriage for her
beloved little boy she very well knew which she preferred. It should be
added that her view of Millicent’s power to look after herself was such
Public-domain text, read in full here on John Shaqi.
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