The Princess Casamassima (Volume 2 of 2)James, Henry
General
The Princess Casamassima (Volume 2 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
The Princess appeared and they mounted into a great square barouche,
an old-fashioned, high-hung vehicle with a green body, a faded
hammer-cloth and a rumble where the footman sat (their hostess
mentioned that it had been let with the house), which rolled
ponderously and smoothly along the winding avenue and through the
gilded park-gates that were surmounted with an immense escutcheon. The
progress of this apparently mismatched trio had a high respectability,
and that is one of the reasons why Hyacinth felt the occasion intensely
memorable. There might still be greater joys in store for him—he was
by this time quite at sea and could recognise no shores—but he should
never again in his life be so respectable. The drive was long and
comprehensive, but little was said while it lasted. “I shall show you
the whole country: it’s exquisitely beautiful; it speaks to the heart.”
Of so much as this his entertainer had informed him at the start; and
she added with all her foreignness and with a light allusive nod at
the rich humanised landscape: “_Voilà ce que j’aime en Angleterre._”
For the rest she sat there fronting him in quiet fairness and under
her softly-swaying lace-fringed parasol: moving her eyes to where she
noticed his eyes rest; allowing them when the carriage passed anything
particularly charming to meet his own; smiling as if she enjoyed the
whole affair very nearly as much as he; and now and then calling his
attention to some prospect, some picturesque detail, by three words
of a cadence as soft as a hand-stroke. Madame Grandoni dozed most of
the time, her chin resting on the rather mangy ermine tippet in which
she had enveloped herself; expanding into consciousness at moments,
however, to greet the scenery with comfortable confused ejaculations in
the first language that came into her head. If Hyacinth was uplifted
during these delightful hours he at least measured his vertiginous
eminence, and it kept him quite solemnly still, as with the fear that
a wrong movement of any sort would break the charm, cause the curtain
to fall on the play. This was especially the case when his sensibility
swung back from the objects that sprang up by the way, every one
of which was a rich image of something he had longed for, to the
most beautiful woman in England, who sat there, well before him, as
completely for his benefit as if he had been a painter engaged to paint
her portrait. More than once he saw everything through a strange mist;
his eyes were full of tears.
Public-domain text, read in full here on John Shaqi.
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