The Princess Casamassima (Volume 2 of 2)James, Henry
General
The Princess Casamassima (Volume 2 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
I have related the whole of this conversation because it supplies a
highly important chapter of Hyacinth’s history, but we may not take
time to trace all the stages and reproduce all the passages through
which the friendship of the Princess Casamassima with the young man she
had constituted her bookbinder was confirmed. By the end of a week the
standard of fitness she had set up in the place of exploded proprieties
appeared the model of justice and convenience; and during this period,
a season of strange revelations for our young man, many other things
happened. One of them was that he drove over to Broome with his
hostess and called on Lady Marchant and her daughters; an episode that
appeared to minister in the Princess to a thorough ironic glee. When
they came away he asked her why she hadn’t told the ladies who he was.
Otherwise where was the point? And she replied: “Simply because they
wouldn’t have believed me. That’s your fault!” This was the same note
she had struck when the third day of his stay (the weather had changed
for the worse and a rainy afternoon kept them indoors) she remarked
to him irrelevantly and abruptly: “It _is_ most extraordinary, your
knowing poor dear old ‘Schop’!” He answered that she really seemed
quite unable to accustom herself to his little talents; and this led
to a long talk, longer than the one I have already narrated, in which
he took her still further into his confidence. Never had the pleasure
of conversation, the greatest he knew, been so largely opened to him.
The Princess admitted frankly that he would to her sense take a great
deal of accounting for; she observed that he was, no doubt, pretty well
used to himself, but must give stupider persons time. “I’ve watched
you constantly since you came—in every detail of your behaviour—and I’m
more and more _intriguée_. You haven’t a vulgar intonation, you haven’t
a common gesture, you never make a mistake, you do and say everything
exactly in the right way. You come out of the poor cramped hole you’ve
described to me, and yet you might have stayed in country-houses all
your life. You’re much better than if you had! _Jugez donc_, from the
way I talk to you! I’ve to make no allowances—not one little allowance.
I’ve seen Italians with that sort of natural tact and ease, but I
didn’t know it was ever to be found in any Anglo-Saxon in whom it
hadn’t been cultivated at a vast expense; unless perhaps in certain
horribly ‘refined’ little American women.”
“Do you mean I’m a gentleman?” asked Hyacinth in a peculiar tone while
he looked out into the wet garden.
Public-domain text, read in full here on John Shaqi.
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