The Princess Casamassima (Volume 2 of 2)James, Henry
General
The Princess Casamassima (Volume 2 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
“Good-morning, my dear fellow. I thought I should find you here!”
the Captain exclaimed. “It’s a good job I’ve met you this way without
having to go to the house.”
“Who gave you reason to think I was here?” Hyacinth asked; partly
occupied with the appositeness of this inquiry and partly thinking,
as his eyes wandered over his handsome friend bestriding so handsome
a beast, what a jolly thing it would be to know how to ride. He had
already, during the few days he had been at Medley, had time to observe
that the knowledge of luxury and the wider range of sensation begot in
him a taste for still bolder pleasures.
“Why, I knew the Princess was capable of asking you,” Sholto said; “and
I learned at the ‘Sun and Moon’ that you had not been there for a long
time. I knew furthermore that as a general thing you go there a good
deal, don’t you? So I put this and that together and judged you were
out of town.”
This was very clear and straightforward and might have satisfied
just exactions save for that irritating reference to the Princess’s
being “capable of asking him.” He knew as well as the Captain that
it had been tremendously eccentric in her to do so, but somehow a
transformation had lately taken place in him which made it unpleasant
he should receive that view from another, and particularly from a
gentleman of whom at a certain juncture several months before he had
had strong grounds for thinking unfavourably. He had not seen Sholto
since the evening when a queer combination of circumstances caused him
to sit more queerly still and listen to comic songs in the company of
Millicent Henning and this admirer. The Captain had not concealed his
admiration; Hyacinth had his own ideas about his taking that line in
order to look more innocent. When he accompanied Millicent that evening
to her lodgings (they parted with Sholto on coming out of the Pavilion)
the situation was tense between the young lady and her childhood’s
friend. She let him have it, as she said; she gave him a dressing
which she evidently intended should be memorable for having suspected
her, for having insulted her before one of the military. The tone
she took and the magnificent audacity with which she took it reduced
him to an odd, gratified helplessness; he watched her at last with
something of the excitement with which he would have watched a clever
but uncultivated actress while she worked herself into a passion that
he believed to be fictitious. He gave more credence to his jealousy
and to the whole air of the case than to her loud rebuttals, enlivened
though these were by tremendous head-tossings and skirt-shakings. But
he felt baffled and outfaced, and had recourse to sarcasms which after
all proved no more than her high gibes; seeking a final solution in one
of those beastly little French shrugs, as Millicent called them, with
which she had already denounced him for interlarding his conversation.
Public-domain text, read in full here on John Shaqi.
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