The Princess Casamassima (Volume 2 of 2)James, Henry
General
The Princess Casamassima (Volume 2 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
I’ve seen
none of the beautiful patricians who sat for the great painters—the
gorgeous beings whose golden hair was intertwined with pearls; but
I’m studying Italian in order to talk with the shuffling, clicking
maidens who work in the bead-factories—I’m determined to make one or
two of them look at me. When they’ve filled their old water-pots at the
fountain it’s jolly to see them perch them on their heads and patter
away over the polished Venetian stones. It’s a charm to be in a country
where the women don’t wear the hideous British bonnet. Even in my own
class—forgive the expression, I remember it used to offend you—I’ve
never known a young female in London to put her nose out of the door
without it; and if you had frequented such young females as much as I
have you would have learnt of what degradation that dreary imposition
is the source. The floor of my room is composed of little brick tiles,
and to freshen the air in this temperature one sprinkles it, as you no
doubt know, with water. Before long if I keep on sprinkling I shall be
able to swim about; the green shutters are closed and the place makes
a very good tank. Through the chinks the hot light of the campo comes
in. I smoke cigarettes and in the pauses of this composition recline
on a faded magenta divan in the corner. Convenient to my hand in that
attitude are the works of Leopardi and a second-hand dictionary. I’m
very happy—happier than I have ever been in my life save at Medley—and
I don’t care for anything but the present hour. It won’t last long,
for I’m spending all my money. When I’ve finished this I shall go forth
and wander about in the splendid Venetian afternoon; and I shall spend
the evening in that enchanted square of Saint Mark’s which resembles
an immense open-air drawing-room, listening to music and feeling
the sea-breeze blow in between those two strange old columns of the
piazzetta which seem to make a doorway for it. I can scarcely believe
that it’s of myself I’m telling you these fine things; I say to myself
a dozen times a day that Hyacinth Robinson isn’t in it—I pinch my leg
to see if I’m not dreaming. But a short time hence, when I’ve resumed
the exercise of my profession in sweet Soho, I shall have proof enough
that it has been my very self: I shall know this by the terrible grind
of the life and the penance to come.
Public-domain text, read in full here on John Shaqi.
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