The Princess Casamassima (Volume 2 of 2)James, Henry
General
The Princess Casamassima (Volume 2 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
“That will mean, no doubt, that I’m deeply demoralised. It won’t
be for you, however, in this case, to cast the stone at me; for my
demoralisation began from the moment I first approached you. Dear
Princess, I may have done you good, but you haven’t done me much.
I trust you’ll understand what I mean by that speech and not think
it flippant or impertinent. I may have helped you to understand and
enter into the misery of the people—though I protest I don’t know
much about it; but you’ve led my imagination into quite another train.
Nevertheless I’m not wholly pretending it’s all your fault if I’ve lost
sight of the sacred cause almost altogether in my recent adventures.
It’s not that it hasn’t been there to see, for that perhaps is the
clearest result of extending one’s horizon—the sense, increasing as
we go, that want and toil and suffering are the constant lot of the
immense majority of the human race. I’ve found them everywhere but
haven’t minded them. Forgive the cynical confession. What has struck
me is the great achievements of which man has been capable in spite of
them—the splendid accumulations of the happier few, to which doubtless
the miserable many have also in their degree contributed. The face
of Europe appears to be covered with them and they’ve had much the
greater part of my attention. They seem to me inestimably precious
and beautiful and I’ve become conscious more than ever before of how
little I understand what in the great rectification you and Poupin
propose to do with them. Dear Princess, there are things I shall be
too sorry to see you touch, even you with your hands divine; and—shall
I tell you _le fond de ma pensée_, as you used to say?—I feel myself
capable of fighting for them. You can’t call me a traitor, for you
know the obligation I supremely, I immutably recognise. The monuments
and treasures of art, the great palaces and properties, the conquests
of learning and taste, the general fabric of civilisation as we know
it, based if you will upon all the despotisms, the cruelties, the
exclusions, the monopolies and the rapacities of the past, but thanks
to which, all the same, the world is less of a ‘bloody sell’ and life
more of a lark—our friend Hoffendahl seems to me to hold them too
cheap and to wish to substitute for them something in which I can’t
somehow believe as I do in things with which the yearnings and the
tears of generations have been mixed. You know how extraordinary I
think our Hoffendahl—to speak only of him; but if there’s one thing
that’s more clear about him than another, it’s that he wouldn’t have
the least feeling for this incomparable, abominable old Venice. He
would cut up the ceilings of the Veronese into strips, so that every
one might have a little piece. I don’t want every one to have a little
piece of anything and I’ve a great horror of that kind of invidious
jealousy which is at the bottom of the idea of a redistribution. You’ll
Public-domain text, read in full here on John Shaqi.
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