The Princess Casamassima (Volume 2 of 2)James, Henry
General
The Princess Casamassima (Volume 2 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
should have precisely to make acquaintance with it first—to show her
the reality of the horrors of which she dreamed the world might be
purged. He had ceased himself to care for the slums and had reasons
for not wishing to spend his remnant in the study of foul things;
but he would go through with his part of the engagement. He might be
detached and mechanical, but any dreariness would have a gilding that
should involve an association with her. What indeed if she should have
changed, have availed herself of that great right of unapologetic
inconsequence which he believed to be, at least in their relation
with nobodies, the highest luxury of the happy? What if, from a high
insolence which he thought of as lurking somewhere in the side-scenes
of her nature, though he had really not once seen it step to the front,
she should toss back her perfect head with a movement signifying
that he was too basely literal and that she knew him no more? His
imagination represented her this evening in places where a barrier
of dazzling light shut her out from access or even from any appeal.
He saw her with other people, in splendid rooms where “the dukes” had
possession of her, smiling, satisfied, surrounded, covered with jewels.
When this vision grew intense he found a reassurance in reflecting that
after all she would be unlikely to throw him personally over so long as
she should remain as deeply compromised, subterraneously speaking, as
she had—successfully it seemed—tried to become, and that it would not
be easy for her to liberate herself from that entanglement. She had of
course told him more, at Medley, of the manner in which she had already
committed herself, and he remembered with a strange perverse elation
that she had gone very far indeed.
In the intervals of the foolish play Mr. Vetch, who lingered in his
place in the orchestra while his mates descended into the little hole
under the stage, leaned over the rail and asked his young friend
occasional questions, carrying his eyes at the same time about the
dingy house at whose smoky ceiling and tarnished galleries he had
been staring for so many a year. He came back to Hyacinth’s letters
and said: “Of course you know they were clever; they entertained me
immensely. But as I read them I thought of poor Pinnie: I wished she
could have listened to them; they would have made her so happy.”
“Yes, poor Pinnie,” Hyacinth murmured while his friend went on:
“I was in Paris in 1846; I stayed at a small hotel in the Rue Mogador.
I judge from your letters that everything’s changed. Does the Rue
Mogador still exist? Yes, everything’s changed. I daresay it’s all much
finer, but I liked it very much as it was then. At all events I’m right
in supposing—am I not?—that it cheered you up considerably, made you
really happy.”
“Why should I have wanted any cheering? I was happy enough,” Hyacinth
replied.
Public-domain text, read in full here on John Shaqi.
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