The fiddler projected his old, white, conscious face; it had the stale smoothness that betrays a sedentary occupation, thirty years spent in a close crowd, amid the smoke of lamps and the odour of stage-paint. “I thought you were sad about Pinnie.” “When I jumped with that avidity at your proposing I should take a tour? Poor old Pinnie!” Hyacinth added. “Well, I hope you think a little better of the world. We mustn’t make up our minds too early in life.” “Oh I’ve made up mine: the world’s an awfully jolly place.” “Awfully jolly, no; but I like it as I like an old pair of shoes—I like so much less the idea of putting on the new ones.” “Why should I complain?” Hyacinth asked. “What have I known but kindness? People have done such a lot for me.” “Oh well, of course they’ve liked you. But that’s all right,” murmured Mr. Vetch, beginning to scrape again. What remained in Hyacinth’s mind from their colloquy was the fact that this veteran, whom he regarded distinctly as cultivated, had thought his letters clever. He only wished he had made them cleverer still; he had no doubt of his ability to have done so. It may be imagined whether the first hours he spent at old Crook’s after he took up work again were altogether to his taste, and what was the nature of the reception given him by his former comrades, whom he found exactly in the same attitudes and the same clothes (he knew and hated every article they wore) and with the same primitive pleasantries on their lips. Our young man’s feelings were mingled; the place and the people affected him as loathsome, but there was something delightful in handling his tools. He gave a little private groan of relief when he discovered that he still liked his work and that the shining swarm of his ideas in the matter of sides and backs returned to him. They came in still brighter, more suggestive form, and he had the satisfaction of feeling that his taste had improved, that it had been purified by experience, and that the covers of a book might be made to express an astonishing number of high conceptions. Strange enough it was, and a proof surely of our little hero’s being a true artist, that the impressions he had accumulated during the last few months appeared to mingle and confound themselves with the very sources of his craft and to lie open to technical “rendering.” He had quite determined by this time to carry on his life as if nothing were hanging over him and he had no intention of remaining a little bookbinder to the end of his days; for that medium would after all translate only some of his conceptions. Yet his trade was a resource, an undiminished resource, for the present, and he had a particular as well as a general motive in attempting new flights—the prevision of the exquisite work he was to do during the coming year for the Princess, work it was so definite to him he owed her. When that debt should have been paid and his other arrears made up he proposed to himself to write something.