Female friendship -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Women -- Fiction
When, from just behind her, a great organ-note swelled forth, and filled
the church with tremulous vibrations, the princess gave a little
fluttered start. No one was near enough to observe this, however, or to
see the crouching back into her seat which followed it. The music seemed
to heighten her emotion, and she trembled visibly. She quite lost count
of time, and did not know how long it was before she saw a clergyman
enter the chancel and stand there, waiting. Then, as two officers in
rich uniforms came and took their places in front of him, the sonorous
chords of the old familiar Mendelssohn march swelled from the organ, and
the heart within her seemed to stop and sink. It was the sound and
influence to which, in perfect joy, she had walked to her own wedding.
She knew that the bridal procession was coming up the aisle, but she did
not turn her head to get a view into the church. She felt the people
about her rise to their feet, but she sat still. Her trembling limbs
would not have held her up; but she did not even know that she was
trembling. She knew only that she was waiting--that all her heart and
all her soul were wrapped in a bewildering suspense until the coming of
what was very near her now. They passed close to her, the girls in their
white dresses, and the officers in their glittering uniforms, and stood
in divided ranks, leaving the space between them clear.
Into this space, directly in front of the clergyman, there now advanced
a woman covered with a cloud of gauzy tulle. She leaned upon the arm of
the only man in the party who was not in uniform.
It was on this figure that the princess fastened her eyes, never once
removing them until the short ceremony had come to an end. The bride was
a shapeless blur. The bridesmaids were a billowy cloud. The officers
were mere dazzles of color and gold lace. One object there was that cut
its way into her consciousness with acute distinctness--the dark-clad,
[Illustration: “THE MAN WHO STOOD WAITING TO GIVE THE BRIDE.”]
clearly outlined figure and pale profile of the man who stood waiting to
give the bride.
When the music ceased, and the minister told the congregation that they
were assembled to join together this man and this woman in holy
matrimony, it was another man and woman that she thought of; and so
through all the solemn charge and searching questioning that followed.
Public-domain text, read in full here on John Shaqi.
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