“_During all these ~péripéties~ Count Orloff Chesmenski was, as we all know, in Italy. Of course he lost no time in writing full particulars concerning the false Tarakanova to Ekaterina, from whom he received orders to steal the Pretender, and so cut off the intrigue at the very outset. Orloff surrounded the Princess with spies, and, through his emissaries, tried to inspire her with confidence in himself. The words of the emissaries seemed very credible to the Princess. Gregory Orloff was then in disgrace, and it would be no very unlikely circumstance if his brother turned into a secret enemy of the empress, and joined in the intrigue. Orloff placed boundless credit at her disposition; and by giving himself out as a man deeply outraged by the government, persuaded the “Countess Selinski,” as the Princess then called herself, to come to a ~rendezvous~ with him at Pisa. Here he surrounded her with all possible homage. Balls and ~fêtes~ succeeded each other in swift succession. He made believe to fall in with her plans, and eventually offered her his hand. Nevertheless, he was only awaiting an opportunity to arrest her, without causing any scandal. He had not long to wait. One day the Countess Selinski expressed a wish to visit the Russian squadron, then stationed at Livorno. Orloff gave orders for preparations to be made for a magnificent reception of the countess, and arranged splendid naval manœuvres. He himself, with her suite, accompanied her on board the man-o’-war. The manœuvres began; the cannon fired; sails were unfurled; the ships sailed out into the open sea; and the unfortunate Pretender, at the end of a journey, found herself shut up in the fortress of Petersburg. Here, it is said, she languished till 1776, when she was drowned by the rushing of the waters into her prison. But this is not true. Historical documents prove that she died of the same illness from which she was suffering when she came to Russia, and which, of course, made rapid strides during her confinement in the damp dungeon._” _Remarkable as is “The Princess Tarakanova,” it is not regarded in Russia as so fine a work as “Merovitch.” This work has attracted universal attention, for it describes one of the most interesting epochs of Russian history. The mysterious and melancholy account of the unfortunate prince-martyr, the victim of troublous times, is all the more interesting as it is founded on historical documents. Written with great ~entrain~ and truthfulness, the novel on its publication created quite a sensation. It originally appeared in 1875, under the title, “The Imperial Prisoner” but its sale was prohibited. In 1879 it was again printed, by order of the emperor._