The Principles of AestheticsParker, De Witt H. (De Witt Henry)
Philosophy
The Principles of Aesthetics
Parker, De Witt H. (De Witt Henry)
Aesthetics
In our discussion thus far, we have been assuming the possibility of
aesthetic theory. But what shall we say in answer to the mystic who
tells us that beauty is indefinable? First of all, I think, we should
remind him that his own thesis can be proved or refuted only through
an attempt at a scientific investigation of beauty. Every attempt to
master our experience through thought is an adventure; but the futility
of adventures can be shown only by courageously entering into them.
And, although the failure of previous efforts may lessen the
probabilities of success in a new enterprise, it cannot prove that
success is absolutely impossible. Through greater persistence and
better methods the new may succeed where the old have failed. Moreover,
although we are ready to grant that the pathway to our goal is full
of pitfalls, marked by the wreckage of old theories, yet we claim that
the skeptic or the mystic can know of their existence only by traveling
over the pathway himself; for in the world of the inner life nothing
can be known by hearsay. If, then, he would really know that the road
to theoretical insight into beauty is impassable, let him travel with
us and see; or, if not with us, alone by himself or with some one wiser
than we as guide; let him compare fairly and sympathetically the results
of theoretical analysis and construction with the data of his firsthand
experience and observe whether the one is or is not adequate to the
other.
Again, the cleft between thought and feeling, even subtle and fleeting
aesthetic feeling, is not so great as the mystics suppose. For, after
all, there is a recognizable identity and permanence even in these
feelings; we should never call them by a common name or greet them as
the same despite their shiftings from moment to moment if this were
not true. Although whatever is unique in each individual experience
of beauty, its distinctive flavor or nuance, cannot be adequately
rendered in thought, but can only be felt; yet whatever each new
experience has in common with the old, whatever is universal in all
aesthetic experiences, can be formulated. The relations of beauty,
too, its place in the whole of life, can be discovered by thought
alone; for only by thought can we hold on to the various things whose
relations we are seeking to establish; without thought our experience
falls asunder into separate bits and never attains to unity. Finally,
the mystics forget that the life of thought and the life of feeling
have a common root; they are both parts of the one life of the mind
and so cannot be foreign to each other.
Public-domain text, read in full here on John Shaqi.
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