out in a non-crystalline state, forming a substance resembling glue. These different states of colloids were distinguished by Graham, who gave them the following very characteristic names. He called the gelatinous form of the hydrate _hydrogel_, _i.e._ a gelatinous hydrate, and the soluble form of the aqueous compound, _hydrosol_, from the Latin for a soluble hydrate. Alumina readily and frequently assumes these states. The gelatinous hydrate of alumina is its hydrogel. It is, as has been already mentioned, insoluble in water, and, like all similar hydrogels, shows not the faintest sign of crystallisation; it is apt to vary in many of its properties with the amount of water it contains, and loses its water on ignition, leaving a white powder of the anhydrous oxide. The hydrogel of alumina is soluble both in acids and alkalis. It may also be obtained by the evaporation of its solutions in such feebly energetic acids as volatile acetic acid. These properties are very frequently made use of in the arts, and especially in _the processes of dyeing_, because the hydrogel of alumina in precipitating attracts a number of colouring matters from their solutions, the precipitate being thus coloured by the dyes attracted.[22] The preparation of fixed dyes and the employment of aluminous compounds (mordants) in the processes of dyeing are founded on this fact.[23] When precipitated upon the fibres of tissues (calicoes, linens, &c.) the aluminium hydroxide renders them impermeable to water; this may be taken advantage of for the preparation of waterproof tissues. [18 bis] Frémy (1890) obtained transparent rubies, which crystallised in rhombohedra, and resembled natural rubies in their hardness, colour, size, and other properties. He heated together a mixture of anhydrous alumina containing more or less caustic potash, with barium fluoride and bichromate of potassium. The latter is added to give the ruby its colour, and is taken in small quantity (not more than 4 parts by weight to 100 parts of alumina). The mixture is put into a clay crucible, and heated (for from 100 hours to 8 days) in a reverberatory furnace at a temperature approaching 1,500°. At the end of the experiment the crucible was found to contain a crystalline mass, and the walls were covered with crystals of the ruby of a beautiful rose colour. It was found that the access of moist air was indispensable for the reaction. According to Frémy, the formation of the ruby may be here explained by the formation of fluoride of aluminium which under the action of the moist air at the high temperature of the furnace gives the ruby and hydrofluoric acid gas.