The Principles of Gothic Ecclesiastical Architecture, Elucidated by Question and Answer, 4th ed. — John Shaqi
The Principles of Gothic Ecclesiastical Architecture, Elucidated by Question and Answer, 4th ed.Bloxam, Matthew Holbeche
History
The Principles of Gothic Ecclesiastical Architecture, Elucidated by Question and Answer, 4th ed.
Bloxam, Matthew Holbeche
Architecture, Gothic -- England; Church architecture -- England
A. In Exeter Cathedral this style may be said generally to prevail,
although some portions are of earlier and some of later date. Great part
of Lichfield Cathedral was also built during the fourteenth century. The
beautiful cloisters adjoining Norwich Cathedral, commenced A. D. 1297, but
not finished for upwards of a century, although proceeded with by
different prelates from time to time, rank as the most beautiful of the
kind we have remaining. Several country churches are wholly or principally
erected in this style. Broughton Church, Oxfordshire, may be instanced as
an elegant, pleasing, and complete example of plain decorated work.
Trumpington Church, Cambridgeshire, is also deserving of notice; and
Wimington Church, Bedfordshire, built by John Curteys, lord of the manor,
who died A. D. 1391, is a small but late edifice in the Decorated style.
Annexations were also made during this century to numerous churches of
earlier construction, by the erection of additional aisles or chapels as
chantries. In all these structures we find more or less, in general
appearance, form, and detail, of that extreme beauty and elegance of
design which prevailed, as it were, for about a century, and then
imperceptibly glided away.
[Illustration: Parapet, Magdalen Church, Oxford.]
FOOTNOTES:
[106-*] The allusion is made to the vaulted roofs of the nave and choir
of this cathedral as they existed previous to the late unfortunate and
destructive fires.
[109-*] The Flamboyant window, common in France, is not often met with
in this country. On the north side of Salford Church, Warwickshire, is,
however, a window of this description, filled with flamboyant tracery.
[111-*] For specimens of Decorated windows with flowing tracery in the
heads, vide cuts, pp. 12 and 13.
[Illustration: South Porch of Newbold-upon-Avon Church, Warwickshire.]
CHAPTER VIII.
OF THE FLORID OR PERPENDICULAR ENGLISH STYLE.
Q. When may this style be said to have commenced, and how long did it
prevail?
A. We find traces of it in buildings erected at the close of the reign of
Edward the Third (circa A. D. 1375); and it prevailed for about a century
and half, or rather more, till late in the reign of Henry the Eighth
(circa A. D. 1539).
Q. Whence does it derive its appellation?
A. From the multiplicity, profusion, and minuteness of its ornamental
detail, it has by some received the designation of FLORID; by others, from
the mullions of the windows and the divisions of ornamental panel-work
running in straight or perpendicular lines up to the head, which is not
the case in any earlier style, it has been called and is now better known
by the designation of the PERPENDICULAR[121-*].
Q. In what respects did it differ from the style which immediately
preceded it?
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