The Principles of Gothic Ecclesiastical Architecture, Elucidated by Question and Answer, 4th ed.Bloxam, Matthew Holbeche
History
The Principles of Gothic Ecclesiastical Architecture, Elucidated by Question and Answer, 4th ed.
Bloxam, Matthew Holbeche
Architecture, Gothic -- England; Church architecture -- England
A. The chief characteristic in the windows of this style, and which
renders them easily distinguished from those of an earlier era, consists
in the vertical bearing of the mullions, which, instead of diverging off
in flowing lines, are carried straight up into the head of the window;
smaller mullions spring from the heads of the principal lights, and thus
the upper portion of the window is filled with panel-like compartments.
The principal as well as the subordinate lights are foliated in the heads;
and in large windows the lights are often divided horizontally by
transoms, which are sometimes embattled. From the continued upright
position of the mullions and tracery-bars is derived the term
PERPENDICULAR, as applied to this style. The forms of the window-arches
vary from the simple pointed to the complex four-centred arch, more or
less depressed. The windows of the clerestory are sometimes arched, but
oftener square-headed; and some large windows of the latter description
nearly cover the sides of the clerestory walls of Chipping Norton Church,
Oxfordshire.
Q. What do we frequently observe in buildings of this style?
A. The interior walls of churches are often completely covered with
panel-work tracery, arched headed and foliated, from the clerestory
windows down to the mouldings of the arches below. The walls of Sherborne
Church, Dorsetshire, present in the interior a surface almost entirely
covered with panel-work. Several large churches in this style have also
long ranges of clerestory windows, set so close to each other that the
whole length of the clerestory wall seems perforated: we may enumerate as
examples the churches of St. Michael, Coventry; Stratford-upon-Avon,
Warwickshire; and Lavenham and Melford, Suffolk. Walls covered on the
exterior with panel-work are also far from uncommon: the Abbots’ Tower,
Evesham, the tower of the church of St. Neot’s, Huntingdonshire, and of
Wrexham, Denbighshire, and many other rich towers, (especially those of
the churches in Somersetshire, where rich specimens in this style abound,
more so perhaps than in any other county,) are thus decorated. The
exterior of many rich structures in this style are also covered with
panel-work, as the Beauchamp Chapel, Warwick, the west front of Winchester
Cathedral, and Henry the Seventh’s Chapel, Westminster Abbey.
[Illustration: Parapet, St. Peter’s Church, Oxford.]
Q. How are the vaulted roofs of this style distinguished?
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