The Principles of Psychology, Volume 1 (of 2)James, William
Philosophy
The Principles of Psychology, Volume 1 (of 2)
James, William
Psychology
"Have we any clue to this primordial element? I think we have. That
simple mental impression which proves to be the unit of composition
of the sensation of musical tone, is allied to certain other simple
mental impressions differently originated. The subjective effect
produced by a crack or noise that has no appreciable duration is
little else than a nervous shock. Though we distinguish such a nervous
shock as belonging to what we call sounds, yet it does not differ very
much from nervous shocks of other kinds. An electric discharge sent
through the body causes a feeling akin to that which a sudden loud
report causes. A strong unexpected impression made through the eyes,
as by a flash of lightning, similarly gives rise to a start or shock;
and though the feeling so named seems, like the electric shock, to
have the body at large for its seat, and may therefore be regarded
as the correlative rather of the efferent than of the afferent
disturbance, yet on remembering the mental change that results from
the instantaneous transit of an object across the field of vision, I
think it may be perceived that the feeling accompanying the efferent
disturbance is itself reduced very nearly to the same form. The state
of consciousness so generated is, in fact, comparable in quality to
the initial state of consciousness caused by a blow (distinguishing
it from the pain or other feeling that commences the instant after);
which state of consciousness caused by a blow may be taken as the
primitive and typical form of the nervous shock. The fact that sudden
brief disturbances thus set up by different stimuli through different
sets of nerves cause feelings scarcely distinguishable in quality
will not appear strange when we recollect that distinguishableness of
feeling implies appreciable duration; and that when the duration is
greatly abridged, nothing more is known than that some mental change
has occurred and ceased. To have a sensation of redness, to know a
tone as acute or grave, to be conscious of a taste as sweet, implies
in each case a considerable continuity of state. If the state does
not last long enough to admit of its being contemplated, it cannot be
classed as of this or that kind; and becomes a momentary modification
very similar to momentary modifications otherwise caused.
Public-domain text, read in full here on John Shaqi.
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