The Principles of Psychology, Volume 2 (of 2)James, William
Science
The Principles of Psychology, Volume 2 (of 2)
James, William
Psychology
In the first place, if we look for a moment at any surface and then
turn our eyes elsewhere, the complementary color and opposite degree
of brightness to that of the first surface tend to mingle themselves
with the color and the brightness of the second. This is _successive
contrast_. It finds its explanation in the fatigue of the organ of
sight, causing it to respond to any particular stimulus less and
less readily the longer such stimulus continues to act. This is
shown clearly in the very marked changes which occur in case of
continued fixation of one particular point of any field. The field
darkens slowly, becomes more and more indistinct, and finally, if
one is practised enough in holding the eye perfectly steady, slight
differences in shade and color may entirely disappear. If we now turn
aside the eyes, a negative after-image of the field just fixated at
once forms, and mingles its sensations with those which may happen to
come from anything else looked at. This influence is distinctly evident
only when the first surface has been 'fixated' without movement of
the eyes. It is, however, none the less present at all times, even
when the eye wanders from point to point, causing each sensation to
be modified more or less by that just previously experienced. On this
account successive contrast is almost sure to be present in cases of
simultaneous contrast, and to complicate the phenomena.
A _visual image is modified not only by other sensations just
previously experienced, but also by all those experienced
simultaneously with it, and especially by such as proceed from
contiguous portions of the retina_. This is the phenomenon of
_simultaneous contrast_. In this, as in successive contrast, both
brightness and hue are involved. A bright object appears still brighter
when its surroundings are darker than itself, and darker when they are
brighter than itself. Two colors side by side are apparently changed by
the admixture, with each, of the complement of the other. And lastly,
a gray surface near a colored one is tinged with the complement of the
latter.[17]
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