The Principles of Psychology, Volume 2 (of 2)James, William
Science
The Principles of Psychology, Volume 2 (of 2)
James, William
Psychology
After my own observation of blind people, I should hardly have
considered this as anything but an eccentric opinion, worthy to pair
off with that other belief that color is primitively seen without
extent, had it not been for the remarkable Essay on Tactile and Visual
Space by M. Ch. Dunan, which appeared in the Revue Philosophique for
1888. This author quotes[206] three very competent witnesses, all
officials in institutions for the blind [it does not appear from the
text that more than one of them was blind himself], who say that blind
people _only live in time_. M. Dunan himself does not share exactly
this belief, but he insists that the blind man's and the seeing
man's representation of space have _absolutely naught_ in common,
and that we are deceived into believing that what they mean by space
is analogous to what we mean, by the fact that so many of them are
but semi-blind and still think in visual terms, and from the farther
fact that they all _talk_ in visual terms just like ourselves. But
on examining M. Dunan's reasons one finds that they all rest on the
groundless logical assumption that the perception of a geometrical
form which we get with our eyes, and that which a blind man gets with
his fingers, must either be absolutely identical or absolutely unlike.
They cannot be similar in diversity, "for they are simple notions,
and it is of the essence of such to enter the mind or leave it all at
once, so that one who has a simple notion at all, possesses it in all
its completeness.... Therefore, since it is impossible that the blind
should have of the forms in question ideas _completely identical_
with our seeing ones, it follows that their ideas must be _radically
different from and wholly irreducible to our own_."[207] Hereupon M.
Dunan has no difficulty in finding a blind man who still preserves a
crude sensation of diffused light, and who says when questioned that
_this light has no extent_. Having 'no extent' appears, however, on
farther questioning, to signify merely not enveloping any particular
tactile objects, nor being located within their outline; so that
(allowing for latitude of expression) the result tallies perfectly
with our own view. A relatively stagnant retinal sensation of diffused
light, not varying when different objects are handled, would naturally
remain an object quite apart. If the word 'extent' were habitually used
to denote tactile extent, this sensation, having no tactile associates
whatever, would naturally have 'extent' denied of it. And yet all the
while it would be _analogous_ to the tactile sensations in having
the quality of bigness. Of course it would have no _other_ tactile
qualities, just as the tactile objects have no other optical qualities
than bigness. All sorts of analogies obtain between the spheres of
sensibility. Why are 'sweet' and 'soft' used so synonymously in most
languages? and why are both these adjectives applied to objects of so
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