At Nuremberg, Antony Koburger, called by Badius the prince of booksellers, directed an immense establishment, employing more than a hundred workmen, without counting smaller houses at Basle and Lyons. Koburger was a capable and a fortunate man. He had at first put forth a Bible very indifferently illustrated with the cuts of the Cologne Bible, but he had before him something better than copying others. Michael Wohlgemuth, born at Nuremberg in 1434, was then in the full vigour of his talent. To his school the young Albert Dürer came to study; and as he was able to draw on wood as well as to engrave on copper and paint on panel, Koburger was attracted to him, and engaged him to make a set of illustrations for a book. The projected work was the _Schatzbehalter_, a sort of ascetic compilation, without interest, without arrangement. Michael Wohlgemuth set to work; and, thanks to the ability of his engravers, of whom William Pleydenwurff was probably one, Koburger was able to put the book on sale in the course of 1491 in three hundred and fifty-two folios of two columns. Without being perfection, the designs of Wohlgemuth, very German, very striking, present the vigour and merit of the future school of Nuremberg. The figure is no longer a simple line, in the manner of the block books, but a combination of interlaced cuttings, intended to imitate colour. Those representing the creation of Eve and the daughter of Jephthah are here reproduced. In the search for harmony between the text and engravings of this curious work, we shall find grace and gaiety laid aside, on the other hand a freedom and boldness that interest and permit us to appreciate at their value the Nuremberg artists and Koburger, the printer. In fact, the German artists are more individual, each one taken by himself, than the Italian illustrators could be, condemned as they were to the hierarchical commonplace and to a certain form of idealism into which the art of Italy entered little by little. The German painters, naturalists and believers, presented their heroes in the image of that robust nature that was before their eyes. It was in this rude and unpolished spirit that Michael Wohlgemuth decorated the _Schatzbehalter_; he also composed the designs for the "Nuremberg Chronicle" of Dr. Hartman Schedel, printed by Koburger in 1493. [Illustration: Fig. 20.--The daughter of Jephthah, plate taken from the _Schatzbehalter_, engraved after Michael Wolgemuth.]