The Printed Book: Its History, Illustration and Adornment: From the Days of Gutenberg to the Present TimeBouchot, Henri
History
The Printed Book: Its History, Illustration and Adornment: From the Days of Gutenberg to the Present Time
Bouchot, Henri
Bookbinding -- History; Books; Books -- History; Illustration of books; Printing -- History
The taste for books of travel which arose in the last century was
largely increased by the voyages and discoveries of the English in North
America and the subsequent Puritan exodus there. These early accounts of
Virginia and New England, many of which are tracts of a few leaves only,
now command fabulous prices. The great collection of voyages under the
name of "Purchas: his Pilgrimes," was printed in five folio volumes,
1625-6, while De Bry, Hulsius, and Linschoten were enriching the world
with their collections of travels, printed in Germany and Holland. All
of these works were adorned with finely engraved plates, those to
"Purchas" being engraved by Elstrack, and, besides, it had a famous map
of the world, engraved by Hondius.
The controversial spirit engendered by the religious quarrels of the
century and by the great civil war gave incessant work to the printers;
and the many tracts and pamphlets thus produced were frequently
illustrated by rude and coarse woodcuts, of no value from an artistic
point of view, but curious from the indications they afford of the
costumes and manners of the time.
The first edition of Walton's "Angler" was printed by R. Marriott in
1653, 16mo, with plates in the text, engraved on steel by Lombart.
Butler's "Hudibras" appeared in 1663-78, and Milton's "Paradise Lost" in
1667, quarto. Fuller's "Worthies of England" was printed 1662, folio. We
have roughly mentioned the principal English books of the century, and
next approach the revival of literature and art in the eighteenth
century.
[Illustration]
CHAPTER V.
THE BOOK IN THE EIGHTEENTH CENTURY.
The regency--Publishers at the beginning of the eighteenth
century--Illustrators in France; Gillot--The school of Watteau and
Boucher--Cars--The younger Cochin; his principal works in
vignettes--French art in England; Gravelot--Eisen--Choffard--The
_Baisers_ of Dorat; the _Contes_ of La Fontaine--the publisher
Cazin and the special literature of the eighteenth century--The
younger Moreau and his illustrations--The Revolution--The school of
David--Duplessis-Bertaux--The Book in Germany; Chodowiecki--In
England; Boydell and French artists--Caslon and
Baskerville--English books with illustrations--Wood engraving in
the eighteenth century; the Papillons--Printing offices in the
eighteenth century.
[Illustration: Fig. 79.--Letter by Cochin for the _Mémoires d'
Artillerie_ of Suvirey de St. Remy.]
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