The Printer Boy; Or, How Benjamin Franklin Made His Mark: An Example for Youth.Thayer, William Makepeace
History
The Printer Boy; Or, How Benjamin Franklin Made His Mark: An Example for Youth.
Thayer, William Makepeace
Franklin, Benjamin, 1706-1790
Among Keimer's workmen was an Oxford student, whose time he had bought
for four years. He was about eighteen years of age, smart and
intelligent. Benjamin very naturally became interested in him, as it
was quite unusual to find an Oxford scholar acting in the capacity of
a bought servant; and he received from him the following brief account
of his life. He "was born in Gloucester, educated at a grammar-school,
and had been distinguished among the scholars for some apparent
superiority in performing his part when they exhibited plays;
belonged to the Wits' Club there, and had written some pieces in prose
and verse, which were printed in the Gloucester newspapers. Thence was
sent to Oxford, where he continued about a year, but not well
satisfied; wishing, of all things, to see London, and become a player.
At length, receiving his quarterly allowance of fifteen guineas,
instead of discharging his debts, he went out of town, hid his gown in
a furze-bush, and walked to London; where, having no friend to advise
him, he fell into bad company, soon spent his guineas, found no means
of being introduced among the players, grew necessitous, pawned his
clothes, and wanted bread. Walking the street, very hungry, not
knowing what to do with himself, a crimp's bill was put into his hand,
offering immediate entertainment and encouragement to such as would
bind themselves to work in America. He went directly, signed the
indentures, was put into the ship, and came over; never writing a line
to his friends, to acquaint them what was become of him."
Such a case has several important lessons for the young. In the first
place, it shows the danger that attends theatrical performances. Youth
often wonder that good people object to them; but here they may see
one reason of their opposition. It was at the school in Oxford that he
imbibed a love for the stage. There he participated in dramatic
plays, which caused him to run away, and seek a residence in London,
where he was ruined. There are hundreds of similar examples, and these
cause good people to condemn theatrical amusements. It is said that
when Lord Jeffrey was a youth, at the college in Glasgow, he was
instrumental in originating a dramatic performance. The play was
selected, and a room of the college designated as a fitting theatre,
when the authorities interfered, and forbade them to perform the play.
Their interference aroused the ire of Jeffrey, who, in his "Notes on
Lectures," denounced their conduct as "the meanest, most illiberal,
and despicable." Many youth cherish similar feelings towards those who
condemn such performances; and, if one of the number shall read these
pages, we would point him to the sad end of the Oxford student.
This case also illustrates the sad consequences of keeping bad
company, as well as the perils of the city. He associated with the
vicious in London, and became really a vagabond in consequence.
Public-domain text, read in full here on John Shaqi.
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