The Printer in Eighteenth-Century Williamsburg: An Account of His Life & Times, & of His Craft — John Shaqi
The Printer in Eighteenth-Century Williamsburg: An Account of His Life & Times, & of His CraftRouse, Parke
History
The Printer in Eighteenth-Century Williamsburg: An Account of His Life & Times, & of His Craft
Rouse, Parke
Printing -- Virginia -- Williamsburg -- History -- 18th century
Produced by Stephen Hutcheson and the Online Distributed
Proofreading Team at http://www.pgdp.net
THE
PRINTER
in Eighteenth-Century
_WILLIAMSBURG_
An Account of his Life & Times, & of his Craft
_Williamſburg Craft Series_
_WILLIAMSBURG_
Publiſhed by _Colonial Williamſburg_
MMI
[Illustration: Decorative page header.]
_A Word to the Reader about Eighteenth-Century Typography_
[Illustration: Decorative Capital.]
The paragraphs on this Page and the next have been ſet in an
eighteenth-century Manner. The Type uſed is _Caſlon_, developed in the
early Part of the eighteenth Century by _William Caſlon_, the greateſt of
the Engliſh Letter Founders. _Caſlon_ in 1734 iſſued his firſt Broadſide
Specimen Sheet of Type Faces cut at his Foundry during the preceding
Decade and a Half.
Although _Caſlon_ is famous for the beautiful Type that bears his Name,
he deſerves equal Credit for deſigning ſome of the moſt handſome Type
Ornaments or “Flowers” ever developed, before or after his Time. Such
Type Flowers had many Uſes—to embelliſh Initial Letters at the Beginning
of a Chapter in a Book; as decorative Devices in a ſingle Row over a
Type Heading ſtarting a new Page in a Book; or over Headings each Time a
new Subject was introduced in a Text. Flowers were caſt to all the
regular Bodies of the Letter from the ſmall (_Nonpareil_) to the large
(_Great Primer_) Size. The Type Flowers uſed at the Head of this Page,
in the built-up Initial opening the firſt Paragraph, and elſewhere in
this Publication are reproduced from original eighteenth-century Flowers
excavated at the Site of the Printing Office on _Duke of Glouceſter_
Street in _Williamſburg_.
The longs “s” ſo evident in theſe Paragraphs originated in the _German_
Hand Script. Early _German_ Type Founders attempted to reproduce
Handwriting as cloſely as poſſible. In the Attempt the long “s” was
evolved and was adopted by the firſt _Engliſh_ Printers who learned their
Trade from the _Germans_. The long “s” remained in general Uſe until
about the Year 1800. It was always uſed at the Beginning and in the
Middle of a Word, but never to terminate a Word. It can eaſily be
recognized by the Fact of having only half a Croſſbar or none at all,
whereas the Letter “f” has a full Croſſbar.
Ligatures, ſuch as ct, ſb, ſſ, ſi, ſſi, ſk, ſl, ſſl, ſt, fi, ffi, ff, fl, ffl,
were developed where a long “s” or an “f” overlapped the following
Letter. Caſting the two Characters together avoided Damage to the
overlapping Letter. Although ſome Ligatures have fallen into Diſuſe, the
fi, ffi, ff, fl, and ffl are ſtill common today.
Public-domain text, read in full here on John Shaqi.
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