The Printer in Eighteenth-Century Williamsburg: An Account of His Life & Times, & of His CraftRouse, Parke
History
The Printer in Eighteenth-Century Williamsburg: An Account of His Life & Times, & of His Craft
Rouse, Parke
Printing -- Virginia -- Williamsburg -- History -- 18th century
Trained, or journeymen, printers were scarce in colonial times, and they
seem to have been often on the go. Even master printers moved about
frequently. William Parks had engaged in printing in three English towns
and in Annapolis before coming to Williamsburg in 1730. William Rind,
who established his paper in Williamsburg in 1766, came there from
Annapolis. Of Williamsburg’s other master printers and journeymen, some
were locally trained but others had been apprenticed in England.
_A NOTE ON THE PRINTING OFFICE_
Although the Printing Office of Colonial Williamsburg does not attempt
precisely to re-create any particular colonial printing shop, it does
represent the craft as it was practiced in the mid-1700s. Here the
twentieth-century American is invited to pause and look about him.
Perhaps, if he is in a receptive mood, he may sense the spirit of the
talented William Parks, keeping a watchful eye over apprentices and
journeymen while type is set, presses are inked, and impressions are
pulled from the press. Perhaps he can discern some Virginia planter
making his way to Parks’s bookshelf, to buy Allestree’s _The Whole Duty
of Man_ or Bayly’s _The Practice of Piety_ to take with him to his
plantation and read during winter evenings.
Entering the Printing Office, the visitor finds himself in a typical
Williamsburg structure of the eighteenth century. Fireplaces on each
floor of the shop warm the workers in cold weather and dry the printed
sheets of paper hung on overhead racks. Many-paned windows provide most
of the shop’s illumination during daylight hours, and also a place—in
the bays on Duke of Gloucester Street—for the printer to post signs and
samples of his work. At night and on dark days candelabra hanging from
the ceiling and tin sconces against the walls hold candles whose smoky
flames blacken the plaster as they help to light the working areas.
On the street floor are the post office, stationery, and bookselling
counter—one of the important areas of the normal colonial printing
office, since it combined three of the most important sidelines. Along
with the shelves of books for sale, some bound in leather and some in
temporary paper covers, there is a mail rack with slots for letters and
newspapers.
[Illustration: _A bookbindery. In this view, several important
binding operations can be seen. (a) Beating folded sections of a
book so that they will lie flat. (b) Stitching folded sections to
the heavy cords that hold the book together. (c) Trimming the edges
of a freshly sewn book on a ploughing press. (d) Pressing freshly
bound books in a large standing press. BELOW. (1-3) The blocks and
hammer used by the binder. (4) The sewing frame. (5-6) Twine. (7-12)
Parts of the sewing frame. (13-14) Wood or bone folders._ DIDEROT.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account