In the small (1,500 people) capital of Williamsburg, this printing office was a nerve center through which news of the vast outer world reached Virginians and, in turn, news of His Majesty’s largest American colony was conveyed to other colonists and their homeland. By modern standards it was a small printing shop. But in its effect on the people of the Virginia colony, it was a powerful civilizing force. As one of eight or nine printers of colonial newspapers, moreover, William Parks, through his paper, kept the people of the other colonies informed of the major events that were taking place in the oldest and largest outpost of Britain in America. _THE PRINTING OFFICE TODAY_ For these reasons, Colonial Williamsburg has re-created an eighteenth-century printing office as one of its series of craft shops. Here the twentieth-century visitor will find equipment such as was used two hundred years ago in similar printing establishments on Duke of Gloucester Street operated by Parks and later by William Hunter, Joseph Royle, Alexander Purdie, John Dixon, William Hunter, Jr., William Rind, and their successors. Here a master printer and his apprentice, in the leather aprons and full-cut breeches of the period, set by hand type closely resembling that which Parks used. To print its pages of hand-set type, the present Printing Office has in operation three so-called “English Common Presses” such as were built in the eighteenth century. One, believed to have been made about 1750, was given to Colonial Williamsburg by American Type Founders, Incorporated, and the Rochester Institute of Technology. Of the other two, one was designed by Ralph Green of Chicago after a careful study of the handful of known eighteenth-century presses in the United States, and both were built by Colonial Williamsburg craftsmen. In addition to the _Gazette_, tracts, pamphlets, and books poured from Parks’s press from the time he came to Williamsburg about 1730 until he died on a voyage to England in 1750. Surviving examples of his work reveal that he first used Dutch type, which was followed by the more pleasing face so “friendly to the eye” developed by William Caslon in England. From matrices similar to Caslon’s originals, his successors in the type-founding business have cast the letters used on the restored Williamsburg press. Parks’s neat printing and binding ornaments, so characteristic of the classical-minded eighteenth century, have been similarly reproduced. Eighteenth-century printers’ tools were made from the careful drawings in Diderot’s Encyclopedia and from other sources.