About dusk Aunt Patricia came in the mediæval cab with Denny driving.
There was no luggage. Esther hoped a great deal from that. But it proved
there was too much to come by cab, and Denny brought it afterward,
shabby trunks of a sophisticated look, spattered with labels. Madame
Beattie alighted from the cab, a large woman in worn black velvet, with
a stale perfume about her. Esther was at the door to meet her, and even
in this outer air she could hardly help putting up her nose a little at
the exotic smell. Madame Beattie was swarthy and strong-featured with a
soft wrinkled skin unnatural from over-cherishing. She had bright,
humorously satirical eyes; and her mouth was large. Therefore you were
surprised at her slight lisp, a curious childishness which Esther had
always considered pure affectation. She had forgotten it in these later
years, but now the sound of it awakened all the distaste and curiosity
she had felt of old. She had always believed if Aunt Patricia spoke out,
the lisp would go. The voice underneath the lisp was a sad thing when
you remembered it had once been "golden ". It was raucous yet husky, a
gin voice, Jeffrey had called it, adding that she had a gin cough. All
this Esther remembered as she went forward prettily and submitted to
Aunt Patricia's perfumed kiss. The ostrich feathers in the worn velvet
travelling hat cascaded over them both, and bangles clinked in a thin
discord with curious trinkets hanging from her chatelaine. Evidently the
desire to hold her niece in her arms had been for telegraphic purposes
only.
When they had gone in and Aunt Patricia was removing her gloves and
accepting tea--she said she would not take her hat off until she went
upstairs--she asked, with a cheerful boldness:
"Where's your husband?"
Esther shrank perceptibly. No one but Lydia had felt at liberty to pelt
her with the incarcerated husband, and she was not only sensitive in
fact but from an intuition of the prettiest thing to do.
"Oh, I knew he was out," said Madame Beattie. "I keep track of your
American papers. Isn't he here?"
"He's in town," said Esther, in a low voice. Her cheeks burned with
hatred of the insolence of kin which could force you into the open and
strip you naked.
"Where?"
"With his father."
"Does his father live alone?"
"No. He has step-daughters."
"Children of that woman that married him out of hand when he was over
sixty? Ridiculous business! Well, what's Jeff there for? Why isn't he
with you?"
Madame Beattie had a direct habit of address, and, although she spoke
many other languages fluently, in the best of English. There were times
when she used English with an extreme of her lisping accent, but that
was when it seemed good business so to do. This she modified if she
found herself cruising where New England standards called for plain New
England speech.
"Why isn't he with you?" she asked again.
Public-domain text, read in full here on John Shaqi.
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