The Private Life of the RomansJohnston, Harold Whetstone
History
The Private Life of the Romans
Johnston, Harold Whetstone
Rome -- Social life and customs
§336. A representation of a circus has been preserved to us in a
board-game of some sort found at Bovillae (§329), which gives an
excellent idea of the _spīna_, (Fig. 144). We know from various
reliefs and mosaics that the _spīna_ of the Circus Maximus was covered
with a series of statues and ornamental structures, such as obelisks,
small temples or shrines, columns surmounted by statues, altars,
trophies, and fountains. Augustus was the first to erect an obelisk in
the Circus Maximus; it was restored in 1589 A.D., and now stands in
the Piazza del Popolo, measuring without the base about 78 feet in
height. Constantius erected another (Fig. 145) in the same circus,
which now stands before the Lateran church, measuring 105 feet. The
obelisk of the Circus of Maxentius now stands in the Piazza Navona.
Besides these purely ornamental features, every circus had at each end
of its _spīna_ a pedestal supporting seven large eggs (_ōva_) of
marble, one of which was taken down at the end of each lap, in order
that the people might know just how many remained to be run. Another
and very different idea for the _spīna_ is shown in Fig. 146 from a
mosaic at Lyons. This is a canal filled with water, with an obelisk in
the middle. The _mētae_ in their developed form are shown very clearly
in this mosaic, three conical pillars of stone set on a semicircular
plinth, all of the most massive construction.
§337. The Seats.--The seats around the arena in the Circus Maximus
were originally of wood, but accidents owing to decay and losses by
fire had led by the time of the Empire to reconstruction in marble
except perhaps in the very highest rows. The seats in the other
circuses seem to have been from the first of stone. At the foot of the
tiers of seats was a marble platform (_podium_) which ran along both
sides and the curved end, coextensive therefore with them. On this
_podium_ were erected boxes for the use of the more important
magistrates and officials of Rome, and here Augustus placed the seats
of the senators and others of high rank. He also assigned seats
throughout the whole _cavea_ to various classes and organizations,
separating the women from the men, though up to his time they had sat
together. Between the _podium_ and the track was a screen of open
work, and when Caesar showed wild beasts in the circus he had a canal
ten feet wide and ten feet deep dug next the _podium_ and filled with
water as an additional protection. Access to the seats was given from
the rear, numerous broad stairways running up to the _praecīnctiōnēs_
(§327), of which there were probably three in the Circus Maximus. The
horizontal spaces between the _praecīnctiōnēs_ were called _maeniāna_,
and each of these was in turn divided by stairways into _cuneī_
(§327), and the rows of seats in the _cuneī_ were called _gradūs_. The
sittings in the row do not seem to have been marked off any more than
they are now in the "bleachers" at our baseball grounds. When sittings
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