The private life, The wheel of time, Lord Beaupré, The visits, Collaboration, Owen Wingrave.James, Henry
General
The private life, The wheel of time, Lord Beaupré, The visits, Collaboration, Owen Wingrave.
James, Henry
American fiction -- 19th century; Short stories, American
Vawdrey replied that the manuscript didn't matter; but an hour later, in
the salon, we wished he might have had it. We sat expectant, still under
the spell of Adney's violin. His wife, in the foreground, on an ottoman,
was all impatience and profile, and Lord Mellifont, in the chair--it was
always _the_ chair, Lord Mellifont's--made our grateful little group
feel like a social science congress or a distribution of prizes.
Suddenly, instead of beginning, our tame lion began to roar out of
tune--he had clean forgotten every word. He was very sorry, but the
lines absolutely wouldn't come to him; he was utterly ashamed, but his
memory was a blank. He didn't look in the least ashamed--Vawdrey had
never looked ashamed in his life; he was only imperturbably and merrily
natural. He protested that he had never expected to make such a fool of
himself, but we felt that this wouldn't prevent the incident from taking
its place among his jolliest reminiscences. It was only _we_ who were
humiliated, as if he had played us a premeditated trick. This was an
occasion, if ever, for Lord Mellifont's tact, which descended on us all
like balm: he told us, in his charming artistic way, his way of bridging
over arid intervals (he had a _débit_--there was nothing to approach it
in England--like the actors of the Comédie Française), of his own
collapse on a momentous occasion, the delivery of an address to a mighty
multitude, when, finding he had forgotten his memoranda, he fumbled, on
the terrible platform, the cynosure of every eye, fumbled vainly in
irreproachable pockets for indispensable notes. But the point of his
story was finer than that of Vawdrey's pleasantry; for he sketched with
a few light gestures the brilliancy of a performance which had risen
superior to embarrassment, had resolved itself, we were left to divine,
into an effort recognised at the moment as not absolutely a blot on what
the public was so good as to call his reputation.
"Play up--play up!" cried Blanche Adney, tapping her husband and
remembering how, on the stage, a _contretemps_ is always drowned in
music. Adney threw himself upon his fiddle, and I said to Clare Vawdrey
that his mistake could easily be corrected by his sending for the
manuscript. If he would tell me where it was I would immediately fetch
it from his room. To this he replied: "My dear fellow, I'm afraid there
_is_ no manuscript."
"Then you've not written anything?"
"I'll write it to-morrow."
"Ah, you trifle with us," I said, in much mystification.
Vawdrey hesitated an instant. "If there _is_ anything,
you'll find it on my table."
Public-domain text, read in full here on John Shaqi.
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