The private life, The wheel of time, Lord Beaupré, The visits, Collaboration, Owen Wingrave.James, Henry
General
The private life, The wheel of time, Lord Beaupré, The visits, Collaboration, Owen Wingrave.
James, Henry
American fiction -- 19th century; Short stories, American
the bench a moment and thought it over; then I succeeded in discovering
a path to the house.
The carriage was at the door for our drive home, but my companions, who
had had tea, were waiting for our hostess, of whom they wished to take
leave and who had not yet come in. I reported her as engaged with the
wife of one of the gardeners, but we lingered a little in the hall, a
largeish group, to give her time to arrive. Two other persons were
absent, one of whom was Louisa Chantry and the other the young man whom
I had just seen quitting her in the garden. While I sat there, a trifle
abstracted, still somewhat agitated by the sequel to that incident and
at the same time impatient of our last vague dawdle, one of the footmen
presented me with a little folded note. I turned away to open it, and at
the very moment our hostess fortunately came in. This diverted the
attention of the others from the action of the footman, whom, after I
had looked at the note, I immediately followed into the drawing-room. He
led me through it and through two or three others to the door of the
little retreat in which, nearly an hour before, I had come upon Louisa
Chantry and Mr. Brandon. The note was from Louisa, it contained the
simple words "Would you very kindly speak to me an instant before you
go?" She was waiting for me in the most sequestered spot she had been
able to select, and there the footman left us. The girl came straight at
me and in an instant she had grasped my hands. I became aware that her
condition had changed; her tears were gone, she had a concentrated
purpose. I could scarcely see her beautiful young face--it was pressed,
beseechingly, so close to mine. I only felt, as her dry, shining eyes
almost dazzled me, that a strong light had been waved back and forth
before me. Her words at first seemed to me incoherent; then I understood
that she was asking me for a pledge.
"Excuse me, forgive me for bringing you here--to say something I can't
say before all those people. _Do_ forgive me--it was so awfully kind of
you to come. I couldn't think of any other way--just for two seconds. I
want you to swear to me," she went on, with her hands now raised and
intensely clasped.
"To swear, dearest child?"
"I'm not your dearest child--I'm not anyone's! But _don't_ tell mamma.
Promise me--promise me," she insisted.
"Tell her what?--I don't understand."
"Oh, you do--you do!" she kept on; "and if you're going to Chantry
you'll see her, you'll be with her, you may see her before I do. On my
knees I ask you for a vow!"
She seemed on the point of throwing herself at my feet, but I stopped
her, I kept her erect. "When shall _you_ see your mother?"
"As soon as I can. I want to get home--I want to get home!" With this I
thought she was going to cry again, but she controlled herself and only
pressed me with feverish eyes.
"You have some great trouble--for heaven's sake tell me what it is."
"It isn't anything--it will pass. Only don't breathe it to mamma!"
Public-domain text, read in full here on John Shaqi.
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