The private life, The wheel of time, Lord Beaupré, The visits, Collaboration, Owen Wingrave.James, Henry
General
The private life, The wheel of time, Lord Beaupré, The visits, Collaboration, Owen Wingrave.
James, Henry
American fiction -- 19th century; Short stories, American
"I'm so very glad," returned Lady Mellifont, with her faint smile;
continuing vaguely, as she got up: "He must have gone to dress for
dinner. Isn't it rather near?" She moved away, to the hotel, in her
leave-taking, simplifying fashion, and the rest of us, at the mention of
dinner, looked at each other's watches, as if to shift the
responsibility of such grossness. The head-waiter, essentially, like all
head-waiters, a man of the world, allowed us hours and places of our
own, so that in the evening, apart under the lamp, we formed a compact,
an indulged little circle. But it was only the Mellifonts who "dressed"
and as to whom it was recognized that they naturally _would_ dress: she
in exactly the same manner as on any other evening of her ceremonious
existence (she was not a woman whose habits could take account of
anything so mutable as fitness); and he, on the other hand, with
remarkable adjustment and suitability. He was almost as much a man of
the world as the head-waiter, and spoke almost as many languages; but he
abstained from courting a comparison of dress-coats and white
waistcoats, analyzing the occasion in a much finer way--into black
velvet and blue velvet and brown velvet, for instance, into delicate
harmonies of necktie and subtle informalities of shirt. He had a costume
for every function and a moral for every costume; and his functions and
costumes and morals were ever a part of the amusement of life--a part at
any rate of its beauty and romance--for an immense circle of spectators.
For his particular friends indeed these things were more than an
amusement; they were a topic, a social support and of course, in
addition, a subject of perpetual suspense. If his wife had not been
present before dinner they were what the rest of us probably would have
been putting our heads together about.
Clare Vawdrey had a fund of anecdote on the whole question: he had known
Lord Mellifont almost from the beginning. It was a peculiarity of this
nobleman that there could be no conversation about him that didn't
instantly take the form of anecdote, and a still further distinction
that there could apparently be no anecdote that was not on the whole to
his honour. If he had come into a room at any moment, people might have
said frankly: "Of course we were telling stories about you!" As
consciences go, in London, the general conscience would have been good.
Moreover it would have been impossible to imagine his taking such a
tribute otherwise than amiably, for he was always as unperturbed as an
actor with the right cue. He had never in his life needed the
prompter--his very embarrassments had been rehearsed. For myself, when
he was talked about I always had an odd impression that we were speaking
of the dead--it was with that peculiar accumulation of relish. His
reputation was a kind of gilded obelisk, as if he had been buried
beneath it; the body of legend and reminiscence of which he was to be
the subject had crystallized in advance.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account