She glanced instinctively at her husband's picture, speaking as one
having first-hand information on all amatory matters.
Miss Ethel went into the kitchen where Caroline was already lifting the
kettle from the fire; but when the girl turned round, her face looked
so queer and drawn despite the colour which the wind had whipped into
her cheeks, that Miss Ethel felt sorry. Still, the barrier of "the
room door" had not been more immovably established in the consciousness
of Aunt Ellen and Aunt Creddle, than the iron law of not "talking to
the servants" in the minds of Miss Ethel and Mrs. Bradford. They had
been so trained in the idea--though, it only became general about a
hundred and fifty years ago--that when Miss Ethel now wanted to speak
of Caroline's unhappy looks as one simple, ordinary human being to
another she could not manage to do it. She meant to be kind and yet
was obliged to assume the tone and manner--throwing her voice
flute-like, as it were, across a gulf neither must cross--which her
mother had always employed in speaking to the servants.
"Oh! Caroline," she said, placing the jam on the table. "I thought
you might like some of this for your tea. It is very stormy out
to-night, is it not? I hope you have not caught cold?"
She had a habit of beginning that way--"Oh! Caroline"--when she
intended to give an order or make a request.
In making her perfunctory reply, Caroline never imagined for one moment
that her own healthy appetite was often satisfied at Miss Ethel's
expense. She had bargained for food, and food was there; and there was
an end of it. But the front-door bell rang, and something in Miss
Ethel's expression did then pierce her self-engrossment.
"Is anything the matter, Miss Ethel?"
"No, no." Miss Ethel stood there, pressing her thin hands
together--striving to speak calmly. "It is only the people to look
over the house, I expect." Then she turned round and walked with her
head erect across the hall.
The door opened to disclose a short, thin, alert man with a taller,
well-nourished woman in handsome clothes, wearing a thick coating of
scented powder on her full cheeks and thick nose. Over her whole
person was written in characters for all to read the consciousness of
having plenty of money. It was new to her, and never for a moment
could she forget it; while her husband also fed _his_ satisfaction in
having plenty of money every time he looked at her. And yet they were
not unkindly people; ready to do a kindness if it did not take away
from them any of the luxuries, pleasures, delightful enviousness in
others less successful, which gradually would give them atrophy of the
soul.
So they thought good-naturedly enough, that though the old girl looked
a bit frosty and forbidding, that was no wonder--it must be a nasty jar
to have to turn out of a house where you had lived so many years. And
they made every allowance for the somewhat ceremonious manner in which
she conducted them through the rooms.
Public-domain text, read in full here on John Shaqi.
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