The Problem of 'Edwin Drood': A Study in the Methods of DickensNicoll, W. Robertson (William Robertson), Sir
General
The Problem of 'Edwin Drood': A Study in the Methods of Dickens
Nicoll, W. Robertson (William Robertson), Sir
Cathedrals in literature; Dickens, Charles, 1812-1870. Mystery of Edwin Drood; Murder in literature
In the last paragraph of this chapter we have: ‘Said Mr. Datchery to
himself that night, as he looked at his white hair in the gas-lighted
looking-glass over the coffee-room chimney-piece at the Crozier, and
shook it out: “For a single buffer, of an easy temper, living idly on his
means, I have had a rather busy afternoon!”’ This was originally
written: ‘Said Mr. Datchery to himself that night as he looked at his
white hair in the gas-lighted looking-glass over the coffee-room
chimney-piece at the Crozier: “Well, for a single buffer of an easy
temper, living idly on his means, I have had rather a busy afternoon!”’
In chapter xx., when Grewgious is talking about Bazzard we have the
following: ‘“No, he goes his way, after office hours. In fact, he is off
duty here, altogether, just at present; and a firm downstairs, with which
I have business relations, lend me a substitute. But it would be
extremely difficult to replace Mr. Bazzard.”’ Originally Dickens wrote:
‘“No, he goes his ways after office hours. In fact, he is off duty at
present; and a firm downstairs with which I have business relations, lend
me a substitute. But it would be difficult to replace Mr. Bazzard.”’
Chapter xxii. is much corrected, and the whole of the second paragraph is
rewritten and pasted on. Chapter xxiii. is also a good deal corrected.
Near the beginning we have the following: ‘The Cathedral doors have
closed for the night; and the Choir-master, on a short leave of absence
for two or three services, sets his face towards London.’ This was
originally written: ‘The Cathedral doors have closed for the night; and
the Choir-master, on leave of absence for a few days, sets his face
towards London.’
The passage beginning: ‘But she goes no further away from it than the
chair upon the hearth,’ and the next two paragraphs are entirely
rewritten and pasted on, and the following sentences are cancelled: ‘“So
far I might a’most as well have never found out how to set you talking,”
is her commentary. “You are too sleepy to talk too plain. You hold your
secrets right you do!”’ A little further on we have: ‘“Halloa!” he cries
in a low voice, seeing her brought to a standstill: “who are you looking
for?”’ This was originally ‘“Halloa!” cries this gentleman, “who are you
looking for?”’
On the next page we have: ‘With his uncovered gray hair blowing about.’
Dickens originally wrote: ‘With his gray hair blowing about.’
On the same page, when Datchery and the opium woman are talking together
Dickens puts in the following sentence about opium as an afterthought:
‘“And it’s like a human creetur so far, that you always hear what can be
said against it, but seldom what can be said in its praise.”’
Public-domain text, read in full here on John Shaqi.
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