The Problem of 'Edwin Drood': A Study in the Methods of DickensNicoll, W. Robertson (William Robertson), Sir
General
The Problem of 'Edwin Drood': A Study in the Methods of Dickens
Nicoll, W. Robertson (William Robertson), Sir
Cathedrals in literature; Dickens, Charles, 1812-1870. Mystery of Edwin Drood; Murder in literature
(SAL _wearily resumes her attitude of rest with her arms on bed_,
_and the Vision Scene goes on_. DURDLES _appears beckoning off_,
_unlocks crypt and enters_. _As he does so_ GREWGIOUS _and_ ROSA
_come on from direction indicated by_ DURDLES’S _beckoning_, _all the
others in scene coming from the same place_. ROSA _clings to her
guardian’s arm_. _They stop in centre of stage opposite crypt_,
_looking towards door_. NEVILLE _and_ HELENA _follow_. _They join_
GREWGIOUS _and_ ROSA. CRISPARKLE _and_ OPIUM SAL’S _Double come on_.
OPIUM SAL’S _Double is pointing towards_ ROSA _and others_, _and_
CRISPARKLE _joins the group_. _The Double now stands near wing and
beckons off_. _Townspeople come on and make group_, _Double at their
head_, _she pointing towards crypt_; _they all look in that
direction_. DURDLES _comes to door_, _beckons_ GREWGIOUS, _who goes
in after_ DURDLES _to crypt_. _Groups now move a step or two nearer
to entrance of crypt_. _Slight pause_. ROSA _clings to_ HELENA;
NEVILLE _in dumb show whispers anxiously to_ HELENA _and_ ROSA, _as
if to reassure and comfort them_. HELENA _stands proudly but
anxious_; ROSA _droopingly_.)
GREW. (_standing just outside crypt door_, _and addressing himself
to_ CRISPARKLE). Keep the women back; this is no place for them.
Edwin Drood has been foully murdered!
(_Sensation in crowd_, _not indicated by noise_, _but dumb show_.
ROSA _staggers_. NEVILLE _catches her in his arms_. JASPER _moves
and groans in his sleep_. DURDLES _comes out of crypt_, _plucks_
GREWGIOUS _by the sleeve_, _and holds up_ JASPER’S _long black
scarf_.)
CRIS. Jasper’s scarf!
(JASPER again groans on bed.)
Where is Jasper?
(_Goes to door of_ JASPER’S _house and knocks_. _This knocking must
be made right at back of stage_.)
GREW. It is no good knocking there. The murderer of Edwin Drood
will be found in London!
(_Sensation as before in crowd_. CRISPARKLE _still knocks_, _and
between knocks faint rapping is heard at door of opium den_, _and_
JASPER _tosses about on bed_, _then starts up with a cry_, _the
Vision disappearing the moment he stands on the floor_.)
JASPER (_starting as if at what he has seen_). No, no. It’s a lie!
(_Knocking at opium den door becomes louder_.)
(_Turning to_ SAL, _who is now at other end of room_.) What’s that?
SAL. They wants to come in.
JASPER. Who wants to come in?
(_Knocking is louder and louder_.)
SAL. Why, the perlice.
JASPER. The police! Damnation! The man who followed me here
to-night! Then it’s all true. Durdles has found the body in spite
of all my precautions, and I am lost. (Rushes wildly about room.)
Is there no escape? Where’s the window?
SAL. There ain’t no winder, deary.
Public-domain text, read in full here on John Shaqi.
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