The Problem of 'Edwin Drood': A Study in the Methods of DickensNicoll, W. Robertson (William Robertson), Sir
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The Problem of 'Edwin Drood': A Study in the Methods of Dickens
Nicoll, W. Robertson (William Robertson), Sir
Cathedrals in literature; Dickens, Charles, 1812-1870. Mystery of Edwin Drood; Murder in literature
In _No Thoroughfare_, a story written by Wilkie Collins and Dickens in
1867 as a Christmas Number, we have the story of a man supposed dead
coming to life again. It may be noted that the only portions of this
story furnished exclusively by Dickens were the overture and the third
act. Collins contributed to the first and fourth act, and wrote the
whole of the second. Vendale, a wine-merchant, is in love with a Swiss
girl, Marguerite. She returns his affection, but her guardian Obenreizer
is bitterly opposed. He consents, however, to the marriage if Vendale
can double his income and make it £3000 a year. Vendale discovers that a
forgery has been committed, through which £500 are missing. He is asked
by the Swiss firm with which he deals to send a trustworthy messenger to
investigate the fraud and discover its perpetrator. Vendale resolves to
go himself, and tells Obenreizer. Obenreizer is the culprit, though
Vendale does not suspect it, and the two go to Switzerland together.
Obenreizer keeps planning a murder, and contrives to give Vendale an
opium draught. He drugs him again, and in the course of a perilous
mountain journey Vendale is roused to the knowledge that Obenreizer had
set upon him, and that they were struggling desperately in the snow.
Vendale rolls himself over into a gulf. But help is near. Marguerite’s
fears have been excited, and she has followed her lover on the journey.
She engages a rescue expedition, and they find the lost man insensible.
He is delirious and quite unconscious where he is. Then he seems to sink
in the deadly cold, and his heart no longer beats. ‘She broke from them
all, and sank over him on his litter with both her living hands upon the
heart that stood still.’ But by and by, when the crisis of the exposure
comes, ‘supported on Marguerite’s arm—his sunburnt colour gone, his right
arm bandaged and slung over his breast—Vendale stood before the murderer
a man risen from the dead.’ I cannot see that this is a great surprise.
Vendale was not marked for death. I think the unsophisticated reader,
knowing how he is loved and how he is waited for, and how unconsciousness
may pass into consciousness, would fully expect him to live. When he
comes to life, he is supported on Marguerite’s arm. There was no arm on
which Edwin Drood could lean. Dickens can provide for his old bachelors
like Newman Noggs, but he had no provision for Edwin.
THE ARGUMENTS FOR THE DISAPPEARANCE THEORY
_From the Wrapper_.—I am convinced after a careful perusal of nearly all
that has been written on the subject that the real strength of the
disappearance theory is to be found in the bottom picture of the wrapper.
When Madame Perugini published the article from which I have quoted, Mr.
Lang in a letter to the _Times_ {127} rested his whole case on the cover
design. He said:
Public-domain text, read in full here on John Shaqi.
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