The Problem of 'Edwin Drood': A Study in the Methods of DickensNicoll, W. Robertson (William Robertson), Sir
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The Problem of 'Edwin Drood': A Study in the Methods of Dickens
Nicoll, W. Robertson (William Robertson), Sir
Cathedrals in literature; Dickens, Charles, 1812-1870. Mystery of Edwin Drood; Murder in literature
Dr. Jackson supposes that the Dean lent his key to the choirmaster,
and assumes that, before the expedition with Durdles, Jasper has
already taken a wax model of it. If he did so, it must have been in
the interval between locking-up time, when we find him (see chapter
xii.) conversing with the Dean and the verger, and the time of his
changing his coat to go out on the expedition. But Dickens tells us
that Mr. Jasper withdrew to his piano, and sat chanting choir music
in a low and beautiful voice for two or three hours; ‘in short, until
it has been for some time dark, and the moon is about to rise.’ I
take it, then (1) that the iron key was lent to Jasper by the verger
for use in this nocturnal expedition; (2) that no wax model of it has
been made up to the time of starting; (3) that the verger will look
for the return of the key next day.
It seems to me most unlikely that Jasper took a wax model of the
crypt key or the key to the iron gate, either on the night of his
wandering with Durdles, or at any other time. If he took any wax
model, it was that of the key to the Sapsea monument. He used the
crypt key merely to let himself out of the building and in again.
May not the simplest explanation be that he unlocked the door of the
monument, leaving it merely closed, so that a turn of the iron handle
would admit him on the night of the murder? According to the picture
at the foot of the cover the door seems to have a handle.
I find it difficult to believe that Jasper would order duplicates of
two large and unusual-looking keys to be made from wax models by a
locksmith in Cloisterham. Such an order would have excited curiosity
and perhaps unfavourable surmises in a town where Jasper was so well
known. I should expect a curious stare if I carried wax models of
church keys even to a locksmith in a London suburb; and Jasper had no
time during the week before Christmas to make a journey to London.
He was not himself a worker in iron like Roland Graeme in _The
Abbot_, who at the cost of much time and labour forged a bunch of
keys almost exactly resembling those carried by the lady of
Lochleven.
On the night of the murder—that wild and stormy Christmas Eve—Jasper
brought Edwin into the churchyard on some pretext, after partially
stupefying him with the ‘good stuff’ which affects the brain so
speedily. He may have persuaded him to drink to the dawn of
Christmas, as Faust proposed to quaff the cup of poison to the rising
Easter dawn:
Der letzte Trunk sei nun, mit ganzer Seele,
Als festlich hoher Gruss, dem Morgen zugebracht.
Public-domain text, read in full here on John Shaqi.
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