The Problem of 'Edwin Drood': A Study in the Methods of DickensNicoll, W. Robertson (William Robertson), Sir
General
The Problem of 'Edwin Drood': A Study in the Methods of Dickens
Nicoll, W. Robertson (William Robertson), Sir
Cathedrals in literature; Dickens, Charles, 1812-1870. Mystery of Edwin Drood; Murder in literature
Scott has left us the astonishing statement {184} that ‘I have generally
written to the middle of one of these novels without having the least
idea how it was to end.’ Mr. Skene, a true friend of Sir Walter Scott,
tells us {185} that when Scott described to him the scheme which he had
formed for _Anne of Geierstein_, he suggested to him that he might with
advantage connect the history of René, king of Provence, in which subject
Skene had special means of helping him. Scott accepted the suggestion,
‘and the whole _dénouement_ of the story of _Anne of Geierstein_ was
changed, and the Provence part woven into it, in the form in which it
ultimately came forth.’
Was Dickens in the same case when death interrupted him in his work?
Was this an ‘apoplectic’ novel?
Scott speaks frankly of _Count Robert of Paris_ and _Castle Dangerous_
being his ‘apoplectic books.’ Does _Edwin Drood_ bear the same relation
to the body of Dickens’s work as _Count Robert of Paris_ and _Castle
Dangerous_ bear to the Waverley Novels? Mr. Lang, whose views on this
subject varied much, in one of his later writings takes the view that
Dickens was deeply embarrassed. He says: ‘It is melancholy to think of
this great and terribly overtasked genius tormented by fears that were
only too real.’ He finds the story wandering on, living from hand to
mouth, full of absurdities. He thinks that Dickens was very capable of
changing his original purpose, and saving the life of Edwin.
There is no doubt that Dickens was puzzled about the order of his
chapters. Forster tells us that Dickens ‘became a little nervous about
the course of the tale from a fear that he might have plunged too soon
into the incidents leading on to the catastrophe such as the Datchery
assumption (a misgiving he had certainly expressed to his
sister-in-law).’ I have already expressed agreement with Dr. Jackson in
his plan for renumbering the chapters. Unless this plan is adopted there
is chronological confusion. Also there is no doubt that Dickens had been
working under terrific strain. But the testimony of those who knew him
best is that his faculties were never brighter and stronger than they
were in his last months.
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