The proceedings of the Canadian Eclipse Party, 1869Ashe, E. D. (Edward David)
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The proceedings of the Canadian Eclipse Party, 1869
Ashe, E. D. (Edward David)
Solar eclipses -- 1869
But the fault of the Canadian party consists in not having photograms
similar to those of the American astronomers, which all more or
less agree with each other. This is extremely hard, and although
I congratulate those gentlemen on their well earned reputation,
still I trust that our photograms, instead of contradicting one
another, will be found consistent.
I believe that Jefferson City was the most westerly place where
photograms of the eclipse were taken, and directly totality finished
with us, it commenced at Des Moines, so that the photograms taken
there must be compared with ours.
There is a general belief that the protuberances do not change
their form, at least but slowly, so it is of great consequence
to substantiate my statement, which is, that whilst waiting for No.
III. plate this protuberance shot out, and when No. III. photogram
was taken it had lost its flamelike appearance, and about one-third
its height. No IV. photogram shews the great prominence much reduced
in height and increased in breadth, as if it had tumbled into a
heap of burning matter. I cannot say whether all prominences are
formed by the shooting-out of a flame, and then tumbling into a
heap, but I do say that the great protuberance was formed in that
manner. In looking at the Des Moines photogram, taken near the end
of the eclipse, (I don't mean the engraving,) you see a great heap,
not very unlike that seen in No. IV.; and Dr. Curtis remarks "that
there is the same appearance of vast volumes of matter tossed up
into an irregular heap by the ejecting force, and sinking back again.
on all sides in long vertical rolls." This is a very good description
of what actually took place. Unfortunately, the long exposure of
sixty-six seconds gives a softened appearance, and what should
have appeared as a heap of cinders, now looks like a fluid.
[Photographs: II, I, IV, III]
Public-domain text, read in full here on John Shaqi.
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