The Prodigals and Their Inheritance; CompleteOliphant, Mrs. (Margaret)
General
The Prodigals and Their Inheritance; Complete
Oliphant, Mrs. (Margaret)
Fiction
“Go, I tell you, before you put me in a passion,” her father cried. And
Winifred was terrified by the glare in his eyes, and the quick recurring
fear that she might harm him took all power from her. She hurried away,
leaving him to admire his upholstery by himself. And that afternoon and
evening her distress reached its climax. She would not consult Miss
Farrell. She would not see Edward. Things had gone too far indeed to be
talked of, or submitted to any other decision than that of her own
heart. Once or twice, nay a hundred times, the desire of the coward, to
run away, occurred to her. But how could she, to think of nothing more,
leave her father in the lurch, and expose him to all the comments of
the recent unfriendly acquaintances whom he thought friends? Winifred
was one of those to whom the abandonment of a post was impossible; but
such was the confusion of her misery, that flight, now or at another
moment,--flight alone, hopeless, without leaving any trace behind
her,--seemed to be the only way of escape. At dinner her father seemed
to have forgotten her attempt at rebellion. He talked incessantly of the
guests, rolling their titles with an enjoyment which was half ludicrous,
half pitiful. “You must try and persuade old Farrell to show,” he said.
“She’s very well thought of by all these grandees, and she can talk to
them of people they know--besides, there’s her music, Winnie, that’s
first rate. I’ll come and apologise if she pleases, but we must take
care my lady’s not dull of an evening, and she must show.” He was in
such good spirits that after dinner, with much clearing of his throat,
and something like a blush, he made her sit down to the piano and
accompany him in one of the old songs for which he had been famous
before he began to fear the memory of the singing man at Chester
Cathedral. He had the remains of a beautiful voice, and still sang well
in the old-fashioned style which he had learned when a boy. To hear him
carolling forth a love-song of that period when Moore was monarch, was
to Winnie a wonder and portent which took away her very breath. She
trembled so in her part of the performance that the piano became
inaudible in competition with the fine roll of Mr. Chester’s
grace-notes. “Why, I thought you could play at least,” he said roughly.
“I’ll have old Farrell--she knows what she’s about--to-morrow night.”
Public-domain text, read in full here on John Shaqi.
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