The Prodigals and Their Inheritance; vol. 1Oliphant, Mrs. (Margaret)
General
The Prodigals and Their Inheritance; vol. 1
Oliphant, Mrs. (Margaret)
Fiction
The room in which this conversation went on was large but not lofty,
occupying the whole width of the house, which was an old country house
of the composite character, so usual in England, where generation after
generation adds and remodels to its fancy. It had been two rooms
according to the natural construction of the house, and the separation
between the two was marked by two pillars, one at either side, of
marble, which had been brought from some ruinous Italian palace, and
were as much out of place as could be conceived in their present
situation. The room, in general, bore the same contradictory character;
florid ornament and gilt work of the most _baroque_ character
alternating with articles of the latest fashion, and with pieces of
antiquity such as have become the test of taste in recent years. Mr.
Chester preferred cost above all other qualifications in the decoration
of his house, and his magnificence was bought dearly at the expense not
only of much money, but of every rule of harmony. He did not himself
mind this. It need scarcely be added that he was not the natural
proprietor of the manor-house which he had thus made gorgeous. He was a
man of great ambition who had made his fortune in trade, and whom the
desire, so universal and often so tragically foolish, though so natural,
of founding a family, had seized in a somewhat unusual way. His two sons
had received “the best education”; that is, they had been sent to a
public school and afterwards to Oxford in the most approved way. They
had not been used to much literature nor to a very refined atmosphere
at home, and it is possible that the very ordinary blood of the
Robinsons, their mother’s family, had more influence in their
constitutions than that fluid which their father thought of so much more
excellent quality, which came to them from the Chester fountain.
Public-domain text, read in full here on John Shaqi.
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