The Professor at the Breakfast-TableHolmes, Oliver Wendell
General
The Professor at the Breakfast-Table
Holmes, Oliver Wendell
American fiction -- 19th century; Conversation -- Fiction; Poetry
This poor little man's appeal to my humanity against the supposed
rapacity of Science, which he feared would have her “specimen,” if his
ghost should walk restlessly a thousand years, waiting for his bones
to be laid in the dust, touched my heart. But I felt bound to speak
cheerily.
--We won't die yet awhile, if we can help it,--I said,--and I trust we
can help it. But don't be afraid; if I live longest, I will see that
your resting place is kept sacred till the dandelions and buttercups
blow over you.
He seemed to have got his wits together by this time, and to have a
vague consciousness that he might have been saying more than he meant
for anybody's ears.--I have been talking a little wild, Sir, eh? he
said.--There is a great buzzing in my head with those drops of yours,
and I doubt if my tongue has not been a little looser than I would have
it, Sir. But I don't much want to live, Sir; that's the truth of the
matter, and it does rather please me to think that fifty years from now
nobody will know that the place where I lie does n't hold as stout and
straight a man as the best of 'em that stretch out as if they were proud
of the room they take. You may get me well, if you can, Sir, if you
think it worth while to try; but I tell you there has been no time for
this many a year when the smell of fresh earth was not sweeter to me
than all the flowers that grow out of it. There's no anodyne like your
good clean gravel, Sir. But if you can keep me about awhile, and it
amuses you to try, you may show your skill upon me, if you like. There
is a pleasure or two that I love the daylight for, and I think the night
is not far off, at best.--I believe I shall sleep now; you may leave me,
and come, if you like, in the morning.
Before I passed out, I took one more glance round the apartment. The
beautiful face of the portrait looked at me, as portraits often do, with
a frightful kind of intelligence in its eyes. The drapery fluttered on
the still outstretched arm of the tall object near the window;--a crack
of this was open, no doubt, and some breath of wind stirred the hanging
folds. In my excited state, I seemed to see something ominous in that
arm pointing to the heavens. I thought of the figures in the Dance of
Death at Basle, and that other on the panels of the covered Bridge at
Lucerne, and it seemed to me that the grim mask who mingles with every
crowd and glides over every threshold was pointing the sick man to his
far home, and would soon stretch out his bony hand and lead him or drag
him on the unmeasured journey towards it.
Public-domain text, read in full here on John Shaqi.
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