The professor's experiment: A novel, Vol. 3 (of 3)Duchess
Science
The professor's experiment: A novel, Vol. 3 (of 3)
Duchess
Science fiction
The girl stands silent. No actual knowledge of her meaning enters into
her heart, but what does come home to her in some vague way is that she
has been thrust back—put far away—cast out, as it were.
‘I don’t understand,’ says she, a little faintly.
‘Oh, I think you do,’ says Mrs. Prior, with cultivated rudeness. ‘But I
have not come here to-day to inform you as to your position in life. I
have come rather to explain to you that your—er—relations with my nephew
must come to an end—and at once.’
‘Your nephew?’
‘Has Mr. Wyndham not spoken to you of his people, then? Rather better
taste than I should have expected from him. But one may judge from it
that he is not yet lost to all sense of decency.’
The insolence in her tone stings.
‘You must believe me or not, as you like,’ says the girl, drawing up her
slight figure, ‘but I don’t know what you are speaking about. Do you
mean that you think it wrong of me to have rented this cottage from Mr.
Wyndham?’
Mrs. Prior raises her pince-nez and looks at her.
‘Really, you are very amusing!’ says she. ‘Now what do you think it is?
Right? Your views should be interesting.’
‘If not this house, I should take another,’ says Ella. She is feeling
bewildered and frightened, and has grown very pale.
‘Of course, if you insist on the innocent _rôle_,’ says Mrs. Prior
coldly, shrugging her shoulders, ‘it is useless my wasting my time. If,
however, you have any regard for Mr. Wyndham, who, it seems, has been
very kind to you’—she glances meaningly round the charming little home
and garden—‘if distinctly unkind to himself, it may be of use to let you
know that your presence here is very likely to be the cause of his
ruin.’
‘His—ruin!’ The unmistakable horror in the girl’s face strikes Mrs.
Prior as hopeful, so she proceeds briskly.
‘Social ruin! It will undoubtedly mean his disinheritance by his uncle,
Lord Shangarry, and—the rupture of his engagement with the girl
he—loves!’
She plants this barb with joy. The telling of a lie more or less has
never troubled her during her life.
‘The girl he loves!’ Ella’s voice as she repeats the words sounds dull
and monotonous. She is quite ghastly now, and she has laid her hand on
the back of a garden-chair to steady herself.
‘Yes. The girl he has always meant to marry!’ She lays great stress on
the last word. That ought to tell. ‘Whom he meant to marry until
your—fascinations’—she throws detestable meaning into her speech, base
as it is detestable—‘alienated him—for the moment!’
All at once Ella recovers herself.
Public-domain text, read in full here on John Shaqi.
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