The Profligate: A Play in Four ActsPinero, Arthur Wing
General
The Profligate: A Play in Four Acts
Pinero, Arthur Wing
English drama -- 19th century; Man-woman relationships -- Drama; Married people -- Drama
[_To himself._] Great Heavens! If by any awful freak of fate this poor
creature is a victim of Renshaw’s--and _she_ at this moment standing
beside him----! What a fool I am to think of no man but Renshaw!
JANET PREECE.
Don’t ask me to describe him in words, sir,--I can’t, I can’t. But I’ve
taught myself to draw his face faithfully. I’m not boasting--I can’t
draw anything else because I see nothing else. Give me some paper I can
sketch upon, and a pencil.
[_HUGH hands her paper and pencil, and watches while she sketches._]
HUGH MURRAY.
[_To himself._] If the face she sketches should bear any resemblance to
his, what could I do, what could I do?
JANET PREECE.
[_To herself._] That’s with his mocking look as I last saw him. He is
always mocking me now.
HUGH MURRAY.
[_To himself._] I could do nothing--it’s too late--nothing. Shall
I look now? No. What a coward I am! Yes. [_He looks over JANET’S
shoulder._] Renshaw! [_He struggles against his agitation._] The
wife! I must think of the wife. [_To JANET._] My poor child, the most
accurate portrait in the world is poor material towards hunting for a
man in this labyrinth of London.
JANET PREECE.
Oh, but take it. His face must be familiar to hundreds of men and women
in London. I know that he belongs to some of your great clubs and goes
to the race-meetings in grand style--he has told me so. And take
these. These papers tell you all about me and give an address where you
can write to me when you’ve traced him.
HUGH MURRAY.
I--I can’t undertake this search. It’s useless--it’s useless.
JANET PREECE.
No, no--don’t refuse to help me! Your face says you are clever--it’s
easy work for you. He isn’t in hiding; he is flaunting about in broad
sunlight in your fine parks, maybe with another poor simple girl on his
arm. Find him for me! He isn’t a murderer stealing along in the shadow
of walls at night-time--he is only a betrayer of women, and men don’t
hide for that!
HUGH MURRAY.
I--I’ll look through this bundle of papers. You shall hear from me
to-morrow.
[_He is showing JANET to the door when WILFRID enters._]
WILFRID BRUDENELL.
Oh, I’m so glad you’ve found your way here! How strange that we should
meet again!
JANET PREECE.
Yes. Thank you, thank you for your kindness. Good-bye! [_She goes
hurriedly from the room._]
WILFRID BRUDENELL.
There now! After my hurrying off on the chance of seeing her, and being
nearly run down in Holborn--only “thank you” and “good-bye!”
HUGH MURRAY.
Have they left the Registrar’s?
WILFRID BRUDENELL.
He was congratulating them when I stole away.
HUGH MURRAY.
[_To himself._] If the poor girl should come face to face with Renshaw
this morning!
[_HUGH looks out of the window._]
WILFRID BRUDENELL.
Come now, Mr. Murray, isn’t she sweet?
HUGH MURRAY.
Yes, yes. [_This to himself._] She is crossing the Inn.
WILFRID BRUDENELL.
And don’t you thank me for sending you such a pretty client?
HUGH MURRAY.
[_Turning away from the window._] She’s gone.
Public-domain text, read in full here on John Shaqi.
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