The Profligate: A Play in Four ActsPinero, Arthur Wing
General
The Profligate: A Play in Four Acts
Pinero, Arthur Wing
English drama -- 19th century; Man-woman relationships -- Drama; Married people -- Drama
Wilfrid! I want some more teacups. And brush your hair. You’ve made it
worse!
WILFRID BRUDENELL.
I’m afraid I am not quite awake.
[_He retires, the rest sit at the tea-table._]
IRENE.
You make me feel quite old, Leslie--to see you so much a woman.
LESLIE.
I am trying to be a woman, but I don’t get on very quickly.
IRENE.
Why try?
LESLIE.
Because I am ashamed that my husband’s wife should be so insignificant.
IRENE.
You seem very fond of him.
LESLIE.
Fond of him! Fond is a poor weak word. If I could realize my dearest
desire I would be my husband’s slave.
MRS. STONEHAY.
All new wives who have money and many domestic servants say that.
LESLIE.
Ah, but I would, truly. Do you know what it is to suffer keenly from
over-kindness?
IRENE.
I thought that was a malady the Faculty had succeeded in stamping out.
LESLIE.
I suppose it lingers yet in some odd old-world corners; it is within
the crumbling walls of this Villa, for instance. My husband is too
devoted to me. I fear to have a wish because I know he cannot rest till
it is gratified. If I look here, or there, his dear eyes imitate mine;
if I rise, he starts up; if I walk on, he follows me. When he takes my
hand he holds it as if it were a flower with a delicate bloom upon it;
when he speaks to me he lowers his voice like one whispering into some
rare shell that would break from too much sound. And all for one who is
half a school-girl and half a woman, and so little of either.
[_A man is heard singing a characteristic Italian air to the
accompaniment of a mandolin._]
MRS. STONEHAY.
What’s that?
[_LESLIE runs to the balustrade and waves her hand._]
LESLIE.
That’s Pietro Donigo, one of my husband’s _protégés_. Dunstan wishes
him to sing to me every day.
MRS. STONEHAY.
[_Sotto voce._] Good gracious, what next! What is there in this girl to
be sung at!
LESLIE.
Dun has been very good to Pietro, who is poor, with an old blind
mother. Oh, he is good to everybody--good to everybody!
MRS. STONEHAY.
But, my dear Mrs. Renshaw, a wife ought not to be astonished at her
husband’s good-nature in the early days of their marriage. What else
did you expect for the first month?
IRENE.
Hush, mamma dear; all Leslie means is that she is proud of her
husband’s goodness. What wife would not be?
LESLIE.
Yes, that is it--I am both proud and humble. Why, look! Directly we
came here he sought out all the poor; in a few days they have learnt
to bless his name, and when I pray for him I think I hear their chant
echoing me. I tell you, sometimes I hide myself away to shed tears of
gratitude, and it’s then that I think a woman’s heart might be broken
less easily by cruelty than by too much kindness!
MRS. STONEHAY.
[_To herself._] This girl’s parade of her model husband is
insufferable; it is time I ended it.
[_WILFRID returns._]
MRS. STONEHAY.
By the way, Mrs. Renshaw, I hope that out of your vast contentment you
can spare some congratulations for my daughter.
IRENE.
Public-domain text, read in full here on John Shaqi.
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